Veranstaltungsort: Oslo Opera House, Main Stage

Bei seinem ersten Ausflug in die Welt Rossinis, verwandelte der norwegische Regisseur Stefan Herheim La Cenerentola in ein brillantes, lustiges Spektakel, gefüllt mit nachdenklich stimmendem Humor und herausragendem Gesang.

Regisseur Ole Anders Tandbergs neue Inszenierung von Schostakowitschs Lady Macbeth von Mzensk ist grandios gesungen, doch die brutale und vulgäre Produktion tendiert dazu, es zu übertreiben.

A visually captivating production, Marit Moum Aune’s Hedda Gabler celebrates Norway’s literary giant through a process of innovation by collaboration, bringing with it superlative and memorable central performances.

Amongst the Giselles and the Nutcrackers that will grace Oslo Opera House’s Main Stage this season sits a vital slice of Norwegian history from two emerging choreographers, Elle Sofe Sara and Hlín Hjálmarsdóttir.

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

The second programme of Norwegian National Ballet's Kylián festival, Day After Yesterday, features four older works, including Petite Mort and No More Play which are unquestionably highlights of his expansive repertoire.

The Wings of Time festival in Oslo this summer is the most comprehensive collection of Czech choreographer Jiří Kylián’s work ever presented. 

A brief but excellent programme of five duets showcased on the main stage of the Den Norske Opera.