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Werk: Pulcinella

Veranstaltungen zu klassischer Musik, Oper, Ballett und Tanz finden
Kurzprofil
KomponistStrawinsky, Igor (1882-1971)
PeriodeFrühes 20. Jahrhundert
Jahr1920
GattungTanz
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WienCzech Philharmonic • Vienna

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Mendelssohn Bartholdy, Ravel, Strawinsky
Czech Philharmonic; Semyon Bychkov; Beatrice Rana; Stefanie Irányi; Martin Mitterrutzner; Jongmin Park

MailandCzech Philharmonic • Milan

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Mendelssohn Bartholdy, Ravel, Strawinsky
Czech Philharmonic; Semyon Bychkov; Beatrice Rana; Stefanie Irányi; Martin Mitterrutzner; Jongmin Park

PragueCzech Philharmonic • Sol Gabetta

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Elgar, Strawinsky
Czech Philharmonic; Semyon Bychkov; Sol Gabetta; Stefanie Irányi; Martin Mitterrutzner; Jongmin Park
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L'Heure espagnole délurée de Langrée et Gallienne au Comique

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L'opéra de Ravel remporte son match face au ballet de Stravinsky Pulcinella, plutôt décevant, alors que l'inénarrable Stéphanie d'Oustrac remporte un triomphe dans le rôle de Concepción.
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Hannigan and the LSO in Haydn and Stravinsky

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Tempora mutantur; an inventive programme abut changing times, in the metrical, art-historical, and geo-political senses. 
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Stasevska and the BBCSO launch the Edinburgh International Festival

An evening of musical optimism launches the 2021 Edinburgh International Festival with a burst of light and colour.
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New York CityDouble Bass Master Class with Ödön Rácz: Stravinsky’s Pulcinella

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Strawinsky: Pulcinella
Dimitrios Mattas; Ödön Rácz
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Bachtrack top ten: Igor Stravinsky

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No 20th-century composer adapted his style as much as Igor Stravinsky. From his early ballets for Diaghilev’s Ballets Russes to his neoclassical phase and serialism, Stravinsky’s music underwent many transformations. 

“A look in the mirror”: Stravinsky and Neoclassicism

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Pulcinella was my discovery of the past, the epiphany through which the whole of my late work became possible. It was a backward look of course – the first of many love-affairs in that direction – but it was a look in the mirror too.”

L'Abécédaire d'un jeune violoniste : E comme Ensemble

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Tous les mois, le jeune violoniste Pierre Liscia-Beaurenaut nous fait découvrir l'envers du décor de la musique classique. Aujourd'hui, notre chroniqueur nous montre les coulisses d'une session d'orchestre.