Giulio Prandi, conductor of Coro e Orchestra Ghislieri, and violinist and concertmaster Gabriele Pro talk about crossing borders, adopting shared sensibilities, and the challenges facing historically informed musicians in Italy today.
Erkki-Sven Tüür talks about making sanctuary on Hiiumaa, a wild island to Estonia’s west, and his interest in writing concertos, seen “through the eyes of someone who observes the world very closely”.
The Toronto-born composer talks about new work Romanza for piano and orchestra, theatricality in music, taking influences from psychology, and the effect on his music of working for the United Nations.
Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.
A group of younger Croatian musicians, including new ensemble Gli Schiavoni, are determined to recover the historical music of Croatia, despite a devastating series of earthquakes and armed conflicts.
Brett Dean, Heather Betts and Lotte Betts-Dean sit down to discuss their work on Of One Blood, a new opera dramatising the lives of Elizabeth I and Mary, Queen of Scots – affairs of the family all round.
Penny Homer graduated from the University of Nottingham with a Bachelor of Music degree in 2003, where she was also a choral scholar at St Barnabas Cathedral. She is keenly interested in arts and education, and her work across both includes stints at Akademi South Asian Dance UK and Benslow Music Trust.
Additionally she worked for Edition Peters in their sales department before joining the
Association of British Choral Directors as their Training Manager.
Penny currently sings at Eton Lower Chapel, St Andrews Fulham Fields, Wimbledon Choral
Society, Londinium and Vocal Constructivists, and continues her vocal studies with Ian
Kennedy.
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