Christopher Carr talks about the challenges of resetting Ashton’s Birthday Offering for a new generation, and how grateful he is to have notation to refer to the original choreography.
Liam Francis talks openly about creating a new dance company, finding his choreographic voice, successes and insecurities, and a circuitous route to securing a life in dance.
Longtime music journalist and founder of ArtsJournal talks about the multiple crises facing orchestras and arts organisations in the United States, amid the damage wrought by the second Trump administration.
Christoph Poppen, new jury co-chair of the Hong Kong International Conducting Competition, argues that the competition valuable because it allows young conductors to meet one another, in what is an otherwise lonely profession.
With a penchant for Baroque music in historical livery, Collegium Musicum Riga are part of a small but distinctive Early music scene in Latvia, initiating collaborations with others across the Baltic states.
Penny Homer graduated from the University of Nottingham with a Bachelor of Music degree in 2003, where she was also a choral scholar at St Barnabas Cathedral. She is keenly interested in arts and education, and her work across both includes stints at Akademi South Asian Dance UK and Benslow Music Trust.
Additionally she worked for Edition Peters in their sales department before joining the
Association of British Choral Directors as their Training Manager.
Penny currently sings at Eton Lower Chapel, St Andrews Fulham Fields, Wimbledon Choral
Society, Londinium and Vocal Constructivists, and continues her vocal studies with Ian
Kennedy.
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