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Music from the court of Louis XIV – Lully, Jacquet de la Guerre, Rebel and others – is superbly played. But the attempt to put it in the context of the dances of the day is perhaps over-ambitious.

Thanks to the dedicated work of scholars and practitioners in the field, in the last decade, audiences in London have become relatively familiar with the music of female composers in the Baroque period.

It has been a good year for the revival of the music of French Baroque composer Elisabeth Jacquet de La Guerre.

A mixed experience with harpsichordist Noriko Amano and dancer Shusaku Takeachi at the Concertgebouw.