Rosemary Carlton-Willis is a soprano based in the Netherlands. She has one masters degree in Music (Historical Performance) from the University of York, and a second in Singing from the Conservatorium van Amsterdam, where she studied in both the Classical and Early Music departments. She has worked for the York Early Music Festival, the National Centre for Early Music and the Sir Jack Lyons Concert Hall.
Sasha Waltz’s new production of Monteverdi’s Orfeo saw a fusion of sound and movement at the Muziektheater Amsterdam, with dancers and singers twining together almost indistinguishably.
At the Muziekgebouw, Amsterdam, Dutch baritone Henk Neven and pianist Hans Eijsackers charmed an enthusiastic audience with a programme of Ravel, Ibert, Schubert and Spanish songs arranged by Norwegian composer Arne Dørumsgaard.
As part of the Muziekgebouw’s 2014 Choral Series, renowned chamber choir The Sixteen gave a passionate, committed performance of music by Palestrina, Allegri, and modern composer James MacMillan.
Barbara Hannigan stars both as singer and conductor with ensemble Ludwig at the Concertgebouw. This is a difficult double act and one that doesn't entirely succeed.
Pieter Jan Leusink and the Bach Choir and Orchestra of the Netherlands give an exuberant and warm-hearted perofrmance of Mozart's Coronation Mass and Requiem.
Philip Herreweghe directs Schütz' Psalmen Davids with Collegium Vocale Gent at the Amsterdam Concertgebouw, in a performance of sustained power and feeling.
The buzz in the Concertgebouw was palpable for many minutes before the entrance of Cecilia Bartoli. It was one of those occasions when even an audience member who knew nothing of the artists could hardly have failed to anticipate something special. She did not disappoint.
The Italian vocal ensemble Cappella Artemisia, directed by mezzo-soprano Candace Smith, is a chamber group devoted to recovering the rich musical repertoire of the 16th- and 17th-century Italian convents.
