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In Verbier's Salle des Combins, despite the change of programme, Ambrogio Maestri and Maria Bayankina deliver stand-out performances. 

In a highly versatile recital, soprano Renée Fleming was at her best in unaffected songs and operetta.

Ivan Magrì's exemplary technique and strong delivery in his London recital debut left his audience hoping for a return visit to the Rosenblatt series in the imminent future.

Gerald Finley displayed a voice still in its prime in a rich and diverse recital at the Barbican, elegantly supported by Antonio Pappano on the piano.

Time honoured tradition has it that the pianist in a song recital plays the supporting role, hence the slightly derogatory term “accompanist”. Someone forgot to share that script with Giuseppe Vaccaro.

Eleonora Buratto showed a voice with plenty of style and character, but her recital was not always inspired. 

Renée Fleming joins the Pacific Symphony for Strauss, Italian Songs and Rodgers and Hammerstein. 

Flórez's recital showed exactly why singers should steer clear of technological assistance. 

Singing at short notice, Luis Gomes made a fine partner for Ekaterina Siurina at another superb recital in the Rosenblatt Recital series.

Lustrous-voiced soprano Omo Bello and pianist Clément Mao-Takacs delight their Amsterdam audience with a tasteful programme of Italian songs. 

This Easter, New Yorkers had a rare chance to hear soprano Anna Caterina Antonacci in Alice Tully Hall. It was only Antonacci’s second appearance in the city, but based on the warm welcome she received from the audience, her reputation preceded her. And by the end of this outstanding recital, it was clear that the city has been missing out on her artistry.