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Walton’s Belshazzar’s Feast is brought to life Sir Bryn Terfel, Adam Hickox and the Royal Liverpool Philharmonic Choir and Orchestra. 

A carefully chosen programme of exciting, short pieces which all share parallel energetic explorations of musical patterns and pulses.

A major premiere from Romania and a Russian classic that’s forever new in a concert that struck out with a spirit of adventure at the Barbican.

A blinder of a first half, but Aurora score an own-goal in the second with Anna Meredith's Anno. 

In the Baroque splendour of a church fondly-known as Queen Anne’s Footstool, the band entertains an appreciative audience to nine of the finest things they currently have on offer.

Imaginative programming from Aurora Orchestra, including striking miniatures from Musgrave and Meredith, luxurious Ravel and pared back Vaughan Williams, with joyous Mendelssohn to finish.

Stalwarts of American minimalism meet British Proms premieres as the London Sinfonietta checks the nation’s pulse

Marking the centenary of the end of the First World War, Anna Meredith and 59 Productions' work proves a powerful, often surprisingly upbeat, commission.

Vivaldi’s The Four Seasons is used a reference in Anna Meredith’s Anno, an immersive performance by the Scottish Ensemble with surround visuals by illustrator Eleanor Meredith.

The maverick Aurora Orchestra returns to the Proms, and doesn't disappoint.

The BBC's Ten Pieces project culminates in a spectacular Proms event, some of it confusing for adults, but all well-received by the children.

Robert Dekkers' Post:Ballet presents High:5 , a full-evening program of innovative works, including Yours Is Mine, Sixes and Seven and Do Be. Reviewwed at Z Space, San Francisco 

The Young Composers Meeting Apeldoorn was opened by the 'Orchestra of the 21st century' under Ed Spanjaard, with fascinating pieces by Anna Meredith and Louis Andriessen.

Hot on the heels of the Urban Classic Prom came this, the BBC 6 Music Prom. Yet another first in this year’s Proms saw BBC Radios 3 and 6 Music bring together the likes of Cerys Matthews, Laura Marling, Xenakis, The Stranglers, Varèse and the London Sinfonietta, and produce a programme comprising styles that might loosely be described as “alternative”, from the fringes of pop to punk rock via mode

Despite knowing what was going to happen, it was a still surprising when, amid the chatter and bustle of the audience before the concert (there was a distinct lack of communal coughing before it started), the National Youth Orchestra of Great Britain began Tuning Up.

During the first half of this London Sinfonietta concert, I scribbled the phrase 'Lightly anarchic streak' in my notes, referring to the formal daring and the conspicuous rock music influence evident in various pieces.