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Impeccable musicianship from the string soloists of the Oxford Philhamonic in stirring accounts of Brahms' String Sextet in G major and Strauss' Metamorphosen.

An arcane Armenian orthodox chapel, two glittering Greek Orthodox churches, a waterfront palazzo and a sumptuous Austrian villa were fascinating venues for a delightful day of mini-concerts at the Istanbul Festival.

McFall's Chamber was full of surprises exploring 20th century music from the Baltic. The Finns' love affair with the Tango contrasted with passionate brooding Baltic landscapes – and there was a saw.

Two academically-motivated pieces make for a interesting, if not overly dramatic evening at Tête-à-Tête, including a project which seeks to re-orientalise Puccini's Turandot. 

A charming, if uneven, concert from Turnovsky Jubilee Ensemble in Auckland. 

Scottish Ensemble, Catriona McKay and Chris Stout in a programme mixing the classical and the Celtic; the composed and the improvised; the individually crafted and the collaboratively collaged.

Love and War in Bohemia, with rising star mezzo Sophie Harmsen, an engaging evening of light and darkness, and a study of composer pupils with famous masters.

The Scottish Ensemble playfully challenged the audience to decide game-show style, which country’s string music won the night: Germany or Britain? Indeed, the concert was a game of two halves with Britain being represented by William Walton and Martin Suckling in the first and Germany by Leopold Hurt and Brahms in the second.

Dundee is on the final shortlist for the UK City of Culture 2017, and the final bid was given a rousing send-off by a large crowd in Tay Square outside the Caird Hall on 30 September.

Les musiciens du Wiener Cello Ensemble 5 + 1 ont pris au mot le thème annuel du Gstaad Menuhin Festival : “Pomp in music”. Au programme, des arrangements plein de faste, dont l’oeil profite autant que l’oreille.