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It takes two to tango... but what about vaudeville? A rerun of Barrie Kosky's production of Oscar Straus' Eine Frau, die weiß, was sie will owes most of its charm to the two leads.

The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.

Celebrating his tenth and last season at the head of Komische Oper, Kosky treats himself to a revival of his 2017 production, which shows no signs of aging.

The Salzburg Festival's production of Offenbach's Orpheus in the Underworld is another classic in the making from Barrie Kosky.

“Fiddler on the Roof” as a universal parable of tradition 

Vladimir Jurowski is fond of grand statements, and sometimes off-the-wall programming – genius when it works, baffling when it doesn’t. 

If you can imagine an undiscovered PG Wodehouse story set to music by Cole Porter, you wouldn’t be far off. 

Malgré la direction décapante de Jérémie Rhorer, cette nouvelle production pâtit d'une distribution globalement peu à son avantage et d'une mise en scène tiède et littérale.

Die Bayerische Staatsoper verzaubert das Publikum mit einer herzhaften Operetteninszenierung.