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Krzysztof Warlikowski’s ghoulish production has the Macbeths’ killing spree spring from their infertility.

Brecht and Weill’s political satire could hardly be more relevant, but Thomas Ostermeier and Maxime Balcon's new production fails to do it justice.

Barbara Hannigan is better than ever in Krzysztof Warlikowski's iconic Lulu at La Monnaie – an historic event.

An Elektra conducted like Mendelssohnian fairy music, sung not shouted, just as Strauss required.

Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.