Black Swan: Barbara Hannigan returns in Warlikowski's Lulu at La Monnaie

Thaddeus Strassberger’s Brussels debut presents Berlioz's opera semiseria with plenty of good music but far more visual noise. 

A marathon double bill using music from Verdi's early operas largely falls flat in Brussels. 

Foccroulle’s limited score imitates environmental catastrophe while Jocelyn’s libretto tries – unevenly – to understand why we might ignore it.

A highly satisfying level of polish in La Monnaie's stream in which one recognizes a precisely executed live performance at its core – one that would be thrilling to experience in person. 

Dmitri Tcherniakov's staging turns Rimsky-Korsakov's opera into storytelling for an autistic boy, but does he deliver a fairy tale ending? 

Laurent Pelly exploits the satirical side of Rimsky-Korsakov's The Golden Cockerel at La Monnaie in a darkly humorous but colourfully performed production.