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Opening Klosters Music, Enrico Onofri proves that Classical-era music can still work well seen from a later perspective. 

In a concert performance at the Berlin Philharmonie, conductor René Jacobs gives his own – thrilling – take on Monteverdi's L'Orfeo.

A diverse triple bill, both musically and choreographically, this has been a gamble that's paid off.

Isserlis makes the most convincing case you could imagine for Schumann, while Järvi and his orchestra have a great time in Mendelssohn

La Scintilla and the Zürcher Sing-Akademie performs Bach at the KKL hall in Lucerne.

Paavo Järvi launches his tenure as Chief Conductor of Zurich’s fine Tonhalle Orchestra with works by Arvo Pärt and Jean Sibelius.

Promoting Leonore, the original version of Beethoven's Fidelio, René Jacobs made several choices of his own, only some of them justifiable.

Beethoven lovers were expecting an authentic recreation of the first version of Fidelio but instead they got Leonore à la Jacobs.

This wasn’t just any concert. The Zurich Tonhalle’s new season was opening in a brand new hall in the trendy Züri-West quarter of the city.

For the opening concert of the 2015-2016 season, the Musikkollegium Winterthur drew together an unusual mix of repertoire: Felix Mendelssohn and Fazil Say.

From the insistent, driving opening to the sublime transcendence of the closing chorale, Norrington, the Zurich Chamber Orchestra and James Gilchrist give us a St John Passion to remember.