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Dmitri Tcherniakov’s staging of Rusalka in Naples has a starkly modern visual style which occasionally dilutes the story’s emotional impact.

Lotte de Beer’s new retelling at the Volksoper reintroduces the element of shock into Bizet's popular opera. 

London Philharmonic Orchestra and Choir paint a terrifying picture of hell and damnation at the Royal Festival Hall.

Johannes Laiacker’s inspired set designs were a perfect example of how a modern setting can avoid being gratuitously iconoclastic.

Mozart's very notes become servant to the cause in an ingenious staging of Le nozze di Figaro by one of today's most esteemed directors.

At the Bayerische Staatsoper, director Andreas Kriegenberg's concept for Siegfried works well, but the cast members aren't all up to the opera's challenges.