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Quinn Kelsey shines as Verdi’s court jester as Tomer Zvulun's production opens in Los Angeles. 

 Michael Cavanagh's sleek new production, designed by Erhard Rom and conducted by James Conlon, transforms the 18th-century opera into a Broadway musical, score by Mozart.

The second installment in The Atlanta Opera's first-ever Ring Cycle benefits from the committed performances of veteran Wagnerians like Christine Goerke and Greer Grimsley.

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center. 

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

Tomer Zvulun's mostly traditional account of the Tchaikovsky masterpiece arrives at Seattle Opera in an attractively staged but underwhelming package.

Dead Man Walking is currently the most frequently performed contemporary American opera. Joel Ivany's staging, first mounted in Vancouver, opened recently at Minnesota Opera just days after the opera's Spanish première in Madrid. 

Wolf Trap Opera delivers high camp Rossini true to the composer.

A superb orchestral performance from Lawrence Renes and the Royal Swedish Opera Orchestra lights up Michael Cavanagh's well directed Nixon in China.

Bard SummerScape made musical history by presenting the first full staging of British composer Ethel Smyth’s opera The Wreckers. Born in 1858 and dying in 1944, Smyth was celebrated in her day (John Singer Sargent painted her portrait in 1901) not only for her compositions, but for being an openly bisexual member of the suffrage movement.

Handel's sensual tragicomedy comes to dazzling life in Seattle Opera's first-ever staging of Semele, a new production directed by Tomer Zvulun.

San Francisco Opera's thoughtful version of the 1955 opera Susannah, one of the most performed American operas, placing the story of Susannah and the Elders in the Appalachian hills of the 1930s. 

The Irish première of John Adams' Nixon in China results in an inspiring and triumphant evening in Dublin. 

Étienne Dupuis et Nicole Car ont remporté tous les suffrages dans les deux rôles principaux de l'opéra Eugène Onéguine à l'Opéra de Montréal, dans une production à peu près sans faille.