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A bird's-eye view of Gustavo Dudamel's opening concert in the LA Phil's Mozart-Pärt cycle.

Armonia Atenea and a thrillingly virtuosic cast, led by countertenor Max Emanuel Cenčić, bring Hasse’s Siroe to Amsterdam

Zurich recently brought a new cast to Robert Wilson’s production of Vincenzo Bellini’s Norma, a triumph of the bel canto style.

This opera gala saw the Borusan Istanbul Philharmonic Orchestra mark their 15th anniversary with an unforgettable evening. The BIPO were joined by tenor Roberto Alagna, making his Istanbul debut, and mezzo-soprano Roxana Constantinescu, a rising star.

The venerable Viennese tradition of airing dirty operatic laundry in public found an unlikely proponent this season in the form of the Theater an der Wien’s mild-mannered director Roland Geyer, who, unhappy with William Friedkin’s production of The Tales of Hoffmann in March, abruptly sacked the American director and announced he would devise a new staging himself a matter of months before the sec

Director William Friedkin doesn’t put a dramaturgical foot wrong in his Theater an der Wien production of The Tales of Hoffmann and yet doesn’t challenge, or even engage with, any of the opera’s Romantic positions.