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David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor. 

Countertenor Lawrence Zazzo is more than at home in the role of Oberon, and possesses a vocal quality ideal for the scheming king of the fairies, simultaneously eerie and seductive.

A solid cast led by Juan Diego Flórez revives Günther Rennert’s production, which still amuses after more than 400 performances. 

Christian Thielemann led a memorable performance of Strauss's chamber opera Ariadne auf Naxos with a strong cast in a new straightforward production by David Hermann.

The gifted baritone Rafael Fingerlos lit up Lucerne’s Lukaskirche with Dichterliebe, the song cycle of 16 poems by Heinrich Heine.

This summer’s production of Bizet’s Carmen on the Seebühne stage in Bregenz offers a great spectacle. 

The Nederlandse Reisopera celebrates Ariadne auf Naxos’centennial with a superb new production directed by Laurence Dale which looks as laving as it is pleasing to the ear.

The children's Barber of Seville is too severely cut to have any substance, but fabulous playing and conducting, stellar young soloists, and an imaginative staging make it a fun afternoon.