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Two notable debuts dominate Oper Leipzig's notable Lady Macbeth revival: Kristine Opolais as Katerina and Andris Nelsons in the pit. 

Despite the excellent playing of the Britten Sinfonia, Anna Morrissey’s flawed production disappoints. 

A delicious evening which showed off its young talent to best advantage and made us want more Offenbach.

Rather than compiling a Top Ten of Baroque Hits, The Enchanted Island amounts to much more than a gallimaufry of choice gobbets, seasoned with French galenterie.

Timothy Edlin was a superb ass, first among six equals, in Liam Steel's production. 

The Royal College of Music's first opera of the season, The Cunning Little Vixen has some excellent singing and first-class playing from the student orchestra.

Stephen Unwin's straight direction and some talented young singers from the Royal Academy of Music Opera school made these two works a real treat.