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Not a great day for the patriarchy: Ersan Mondtag's gripping new Salome emphasises grotesque caricatures and ends with a bloody, plot-twisting coup d’état. 

The Flanders Symphony Orchestra finish their UK tour in Edinburgh with Mozart and Beethoven: safe repertoire, but it's played with focus and energy.

Carried by a strong cast and impressive stagecraft, Christian Jost's new opera addresses the refugee crisis with sensitivity and grace. 

At its local Antwerp première, David Bösch’s new production of Erich Wolfgang Korngold’s Das Wunder der Heliane makes it the only house ever to have mounted twice.