Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Fernando Guimarães

Even without the costumes and choreography, Collegium 1704's presentation of Arsilda was enthralling.

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

In the Teatro Regio's production everything is according to the script, but the magic of the stage is absent. 

At the Concertgebouw in Amsterdam a performance of Michelangelo Falvetti’s recently unearthed gem Il diluvio universale was a joyful labour of love.

Christina Pluhar led ensemble L'Arpeggiata in a concert of delightful sacred music from the Habsburg court chapel in Vienna.