Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Leon Kim

Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season. 

Strong vocals from the three principal singers and a sure musical direction from young conductor Farrell help offset some of the less than convincing elements to Olivia Fuchs' production. 

A journey through the subconscious of the main protagonist Edmea, with Anne-Sophie Duprels as the eponymous heroine.

Risurrezione is a work whose value is to be found more in the orchestra than in the vocal lines, a peculiar thing for an Italian opera belonging to an epoch that gloried in enticing melodies.

A terrifically strong cast gives a fine rendition of two lesser heard operas: Giordano's Mala vita Leoni's L'oracolo.

Only soprano Eleonora Buratto’s Mimì added real warmth and pathos to Mario Pontiggi's staging.