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The composer's magnum opus, unjustly neglected in English-speaking countries, receives magnificent treatment from Andris Nelsons and the Boston Symphony Orchestra, anchored by David Butt Philip and Christine Goerke.

Conducting a reduced version of his own opera, Matthew Aucoin's Eurydice still packs a big punch. 

Under Andris Nelsons' baton, the musical canvas was remarkably supple with proper light shed on Puccini’s melodic inventiveness and wondrous orchestration.

Boston Lyric Opera, with the approval of Bernstein's estate, recast Arias and Barcarolles as the further musings of Sam and Dinah. 

Odyssey Opera gives the US première of the original three-act version of L'assedio di Calais, with every note Donizetti wrote in 1836.

Odyssey Opera has unearthed a gem with its production of Mario Castelnuovo-Tedesco’s 1962 chamber opera The Importance of Being Earnest, never published and staged only twice previously.

In James MacMillan’s Clemency, three strangers visit Abraham and Sarah. The aging couple make them welcome and receive the news that Sarah will bear a son – to Sarah’s disbelief. They appear to be angels, coming to bless the couple. But as the travelers prepare to leave, they reveal that their next stop is one of condemnation. The people of the twin towns, Sodom and Gomorrah, will be destroyed.

Just as it seemed that contemporary American opera had sworn off melody completely, composer John Musto brings us The Inspector. Paired with Mark Campbell's brightly comic libretto, Musto's score sweeps the hilarious plot along, punctuated by clever musical references and familiar tunes.