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While Bellini’s two-act opera Norma underscores the religious wars between the ancient Druids and Romans, it also highlights an emotive personal conflict that is veiled in deceit and cultural discrepancy.

A strange evening: superb Mozart playing from Rousset, plenty of fine singing, staging and costumes that one certainly isn’t going to forget. But what’s the point of it all?

This was meant to be Pretty Yende's night, but it was Armenian tenor Liparit Avetisyan who stole hearts as country bumpkin Nemorino. 

Gerald Finley's velvet baritone lights up this revival of David McVicar's production of Cilea's murder story

Àlex Ollé and his Fura dels Baus team stage a spectacular looking Norma, the first new production of Bellini's opera at Covent Garden for nearly 30 years. 

A disappointing staging for the Jette Parker Young Artists' annual showcase at the Royal Opera House. 

Bryn Terfel and Sir Antonio Pappano brought their excellent interpretation of the 1869 version of Mussorgsky's seminal opera to the Royal Albert Hall for a one-off revival.

Liudmyla Monstyrska and John Relyea turn in strong performances and Plácido Domingo confirms his hallowed status, but Daniele Abbado's direction remains unappealing in this first revival.

Richard Jones new production of Mussorgsky's episodic epic has plenty of strengths, but is marred by unappealing designs and rushed tempi.

For anyone seeing Carmen for the first time, this Royal Opera revival will have been a more than satisfactory evening. Old hands hoping to see something extra will find it in Hymel's Don José and Car's Micaëla, but not elsewhere.