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A very welcome visit from the Paris Opera Junior Ballet to the Linbury Theatre displays the company in a very favourable light, in a variety of works.

Brahms-Schoenberg Quartet comes across as a work with fragments of greatness rather than a masterpiece but the rest of the evening offers sheer brilliance.

Dance Theatre of Harlem feels poised to forge ahead to a new era, all while bringing together its knowledge and legacy from the past half century.

The company’s latest Firebird is Isabella LaFreniere. She’s perfect for the role. LaFreniere is tall, commanding, magisterial, with unusually liquid arms and an expressive back.

George Balanchine’s short-but-thrilling ballet Allegro Brillante is tailor-made to Mayara Piniero’s talents in Philadelphia. 

Ashley Bouder, Tiler Peck and Megan Fairchild were at the top of their game in a Balanchine triple bill at New York City Ballet

BalletNOW returns to the Glorya Kaufman Presents Dance at the Music Center in Los Angeles. The production features dancers from six different major ballet companies, but fails to impress.

I cannot sufficiently repeat that Peter Martins’ legacy will be measured by the number of outstanding dancers he has nurtured during his tenure.

Oskar Schlemmer's arresting designs for The Triadic Ballet proved one of several high points in Bayerisches Staatsballett II's mixed bill at the Hong Kong Arts Festival. 

New York City Center's Fall for Dance Festival opens with performances by Miami City Ballet, L.A. Dance Project, Doug Elkins Choreography, etc. and Che Malambo

Meistersignaturen is a versatile program giving the audience the opportunity to discover the unique styles of four celebrated choreographers. By Wiener Staatsballett. 

La dixième édition des Etés de la danse marque le retour du San Francisco ballet à Paris, compagnie qui avait inauguré cette manifestation en 2005.  Une matinée néoclassique dont la beauté et la fluidité de la danse laissent un goût de revenez-y...