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Opening New York City Ballet's spring season, a quadruple bill of major and minor Balanchine eventually proceeded after protestors infiltrated the Koch Theater and created a diversion. 

A winning mixed bill at New York City Ballet, featuring three stylistically and conceptually very different works, yielded many gems. 

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

Balanchine's unbreakable Serenade leads a mixed bill that includes his less than inspired one-act version of Swan Lake.

An evening of George Balanchine and Jerome Robbins at Covent Garden, topped by a beautifully poignant rendering of Dances at a Gathering.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

Carlos Acosta's Carmen premieres at the Royal Ballet, alongside Robbins' Afternoon of a Faun, Balanchine's Tchaikovsky Pas de Deux and Scarlett’s Viscera.

Roberto Bolle and Herman Cornejo bring their shared gala program, BalletNow to Los Angeles. With a cast of twenty dancers, BalletNow is an innovative split bill that features European and Latin American stars. Two works feature Bolle dancing in interactive film sequences. 

Grand, bold dancing by great Ballerinas! Ballerinas dance their favourite pieces. Sexy and sleek Brandsen. Lovely, deep Wheeldon. Larissa Lezhnina's last night. An absolute go see.

The Russian ballerina Galina Ulanova is a true legend in the world of classical ballet. Her dramatic interpretations plumbed deep into the human soul and revealed its full gamut of emotion and poetic beauty.