Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Triple Concerto for Violin, Cello, and Piano in C major, Op.56

Beethoven's Triple Concerto has a reputation of being a problematic work, but Myung-Whun Chung and the Tokyo Philharmonic prove otherwise in an emphatic performance. 

Gustavo Gimeno kicks off the TSO’s new season with new perspectives on the familiar and not-so-familiar

Hyeyhoon Park, Sheku Kanneh-Mason and Benjamin Grosvenor unite for a big-boned, romantic Beethoven Triple Concerto.  

Violinist Blake Pouliot, cellist Bryan Cheng, and pianist Angela Hewitt, all previous winners of the Orchestre symphonique de Montréal’s Concours, return to perform Beethoven’s Triple Concerto.

An afternoon programme by the Sydney Symphony Orchestra featuring Beethoven's Triple Concerto and Brahms' Third and shorter pieces by Schreker and Harry Sdraulig offers pleasant but somewhat underwhelming impressions.

If there had been an audience, they would have toasted the concert with the Kölsch beers the composer loved best.

A forced programme change by Hong Kong Sinfonietta proves beneficial, lightening up the evening with Mozart’s overture to Le nozze di Figaro before a pair of Beethoven works. 

A fiery rendition of Sibleius' Finlandia and an interesting account of Tchaikovsky's The Symphony of Life while Beethoven's Triple Concerto fails to convince. 

Bellincampi’s way with this symphony was impressive: he knitted the composer’s sometimes diffuse structural cells into something cohesive, with no loss of tension in the various silences and odd transitional moments.

There's a strong chance that the majority of the audience had never seen Louise Farrenc's Third Symphony before; conductor Laurence Equilbey made a strong case for repeat performances.

The amazing phenomenon that is Herbert Blomstedt leads the Gewandhausorchester from Leipzig in Beethoven's Triple Concerto and Bruckner's mighty Seventh.

The ever consummate conductor delivers a trio of stylistically contrasting works by Haydn, Beethoven and Nielsen with a single trait in common: obdurate perfectionism.

“Let me play the lion too.” I hadn’t associated Daniel Barenboim with Nick Bottom from A Midsummer Night’s Dream before, but during Beethoven’s Triple Concerto, I half expected him to leap from his piano stool and play the violin and cello parts too. 

Waiting for sunrise while listening to the Orchestra Filarmonica La Fenice, brilliantly conducted by Alvise Casellati, created an emotional effect in the audience

In the final concert of Muti's winter residency with the Chicago Symphony Orchestra, he presented one of his most varied programs to date with repertoire spanning nearly two centuries. 

The St Petersburg SO and Alexander Dmitriev give a thoughtful and accomplished programme in Manchester's Bridgewater Hall

The Rundfunk-Sinfonieorchester Berlin, led by Marek Janowski, performs Beethoven's Triple Concerto and Sixth Symphony. 

Mahler’s Blumine, Beethoven’s rarely performed Triple Concerto and Shostakovich’s Fifth Symphony were given a fresh coat of paint by the BSO.

Stately fun and stormy exoticism: Maxim Vengerov appears as soloist and conductor in a programme of Beethoven and Rimsky-Korsakov at the Barbican.

Benjamin Britten’s Variations on a Theme of Frank Bridge is not a work often heard in concert halls but deserves to be performed more often, Hong Kong Sinfonietta conductor Yip Wing-sie said at the start of the concert last night at the City Hall. The orchestra’s rendering of this moving musical tribute vindicated her statement.

There are only a handful of composers whose music can provide enough variety to last a whole program. Beethoven is one of those composers. Not only that, but even today, some 200 years after his lifetime, his music continues to inspire, delight and challenge modern audiences. That is part of Beethoven’s enduring genius and legacy.The opening piece of the concert, the Grosse Fugue Op.

Surely, Michael Tippett must be considered the most important British composer of the mid 20th century, even if this might be an unfashionable thing to say in this Britten-filled centenary year. Certainly, the BBCSO’s brave performance of his Third Symphony was evidence of this in itself.Since his death in 1998 at the age of 93, performances of Tippett’s work have gone into sad decline.

Andris Nelsons marked the second instalment in the Birmingham Beethoven cycle with two works of the earliest years of the 19th century, featuring a solid account of the Eroica and a superb performance of the Triple Concerto.The Triple Concerto is a strange work.

The night had a programme of three soloists, three pieces and three significant composers in music history – Haydn, Mozart and Beethoven. The concept of the concert was to display a span of music from the high Classical era to the early Romantic, where each of the composers overlap in style through three generations.