Jos van Immerseel plays Schubert at the Royal Conservatoire of Brussels

Por Alice Hughes, 28 mayo 2013

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Crítica hecha desde Conservatoire Royal de Bruxelles, Bruselas el 24 mayo 2013

Schubert, Sixteen German Dances and two Écossaises, D.783

Schubert, Cuatro impromptus, D.899

Schubert, Sonata para piano núm. 21 en si bemol mayor, D.960

Jos van Immerseel, Piano

Libertad, igualdad, singularidad

Jens Klier, 1st October

Jos van Immerseel und Anima Eterna ofrecieron un programa transparente y lleno de ricos colores.

****1

Im Liszte Schuberts: Anima Eterna Brugge und Joseph Moog in Essen

Jens Klier, 24th April

Eine Paarung, die (Wander-)Lust auf Mehr machte.

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Russian troika bogged down in the quest for authenticity in Bruges

Marc Haegeman, 29th November

In an all-Russian programme, Jos van Immerseel and Anima Eterna Brugge show the nuts and bolts, but forget the music.

**111

Thomas Bauer et Jos van Immerseel à l’Opéra de Dijon : la note et le verbe

Jean-Marc Piriou, 28th January

On est frappé par la complicité entre Thomas Bauer et Jos Van Immerseel, qui livrent avec un engagement sans faille un somptueux carnet de voyage au pays du lied schubertien.

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Splendid playing but uninspired Beethoven performances

Zoltán Szabó, 23rd January

Historically informed Beethoven on period instruments in Sydney, but where was the interpretation?

***11

Disciplined expressiveness: Anima Eterna in Sydney

David Larkin, 22nd January

The Belgian period-instrument ensemble Anima Eterna Brugge deliver controlled but expressive performances of Beethoven's Symphonies 8 and 7 as part of a complete cycle in Sydney

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Alice Hughes

Alice studied Music and French Literature at the universities of Cardiff and Oxford. An avid concert-goer from a young age, she has a particular fondness for the music of Debussy, Satie and Rachmaninov and a lifelong interest in Paris as a hub of musical activity from the Belle Epoque onwards.