Budapest accueille ses Enfants terribles

Por Suzanne Lay-Canessa, 15 noviembre 2021

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“Le tout se déroule à un tempo infernal, sans que l’on sente l’heure et demie de spectacle passer”

Crítica hecha desde Eiffel Art Studios: Bánffy Stage, Budapest el 13 noviembre 2021

Glass, Les Enfants terribles

Hungarian State Opera

Péter Dobszay, Dirección

Dóra Barta, Dirección de escena, Coreografía

Ildikó Tihanyi, Diseño de escena

Andrea Kovács, Diseño de vestuario

Zoltán Katonka, Diseño de iluminación

András Almási-Toth, Dramaturgia

Szilvia Rálik, Élisabeth

Lőrinc Kósa, Paul

Botond Ódor, Gérard

Zsófia Kálnay, Dargelos/Agathe

Inés Furuhashi-Huber, Bailarín

Carlos Taravillo Mahillo, Bailarín

Levente Bajári, Bailarín

Ildikó Boros, Bailarín

András Rónai, Bailarín

Bálint Zsoldos, Piano

Andrea Fernandes, Piano

Sámuel Tóth, Piano

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

A promising class: 6th Éva Marton Competition grand final

Orsolya Gyárfás, 7th September

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale.

Más críticas...

Suzanne Lay-Canessa

Docteure en littérature comparée, passionnée de langues, Suzanne a consacré sa thèse de doctorat à Jean-Sébastien Bach. Elle enseigne le français, la littérature et l’histoire de l’Opéra à l’Institute for American Universities et à Sciences Po Aix. Collaboratrice régulière du journal Zibeline, elle publie dans les rubriques Musiques, Livres, Cinéma, Spectacle vivant et Arts Visuels.

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