Rafal Blechacz à Genève

Por Thomas Muller, 08 junio 2015

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Crítica hecha desde Victoria Hall, Geneva el 4 junio 2015

Sibelius, Incidental music to Kuolema (Death)

Mozart, Concierto para piano núm. 23 en la mayor, K488

Rautavaara, Pelimannit (The Fiddlers), Op.1

Grieg, String Quartet in G minor, Op.27

Amsterdam Sinfonietta

Rafał Blechacz, Piano

Through the looking glass: Amsterdam Sinfonietta are a class act

Clare Varney, 12th May

Candida Thompson’s performance of Pärt’s Spiegel im Spiegel with understated beauty, immaculate phrasing and restrained emotion, steals the show.

****1

Roukens Requiem: eine Hommage an die Totenmesse

Michael Klier, 3rd November

Joey Roukens' Requiem ist eine abwechslungsreiche und tröstliche intime Komposition.

***11

Thomas Oliemans in heartfelt chansons at the Concertgebouw

Jenny Camilleri, 7th July

Baritone and pianist Thomas Oliemans demonstrated his love of the French chanson accompanied by the richly layered strings of the Amsterdam Sinfonietta.

****1

Serenade and sorrow from Amsterdam Sinfonietta, Arcayürek and Klieser

Mark Thomas, 25th March

The impressive Amsterdam Sinfonietta showed lucidity and depth in Britten and Shostakovich, with tenor Ilker Arcayürek and horn player Felix Klieser adding much to the quality.

****1

Rana brings energy and clarity to Bach in Amsterdam

Michael Roddy, 6th April

Ominous Bartók, polished Mozart and energetic Bach, all on a superb musical spring evening in Amsterdam.

****1

Playful light and colour from Amsterdam Sinfonietta

Jane Shuttleworth, 5th June

Imaginative Bach and an exciting new work by Dobrinka Tabakova played by the Amsterdam Sinfonietta with pianists Ferhan and Ferzan Önder.

***11

Más críticas...

Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.

Rafal Blechacz a enchanté Mozart et sublimé Chopin à Genève