En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Concierto para piano núm. 23 en la mayor, K488

El belga David Reiland dirigió a la Orquesta Filarmónica de la Ciudad de México y al pianista mexicano-español Santiago Piñeirúa en un concierto de Mozart y Berlioz.

Un atractivo programa para una de las visitas de la temporada de Josep Pons, quien venía acompañado del pianista Nelson Goerner.

La Camerata OSG ofreció un concierto vibrante en el que Rosinskij nos trasladó desde el opresivo Tunnels of Coliseum a la jovialidad de Mozart.

La singularidad de la música de los compositores polacos Penderecki y Panufnik contrastó profundamente con la música de Mozart en las manos de la concienzuda Maria João Pires.

S'il s'est montré omniprésent voire étouffant dans le 23e Concerto pour piano de Mozart, le musicien russe a proposé une véritable résurrection de l'œuvre symphonique de Mendelssohn.

Melbourne-born soprano Sioghan Stagg returns for a one night stand with Kristian Bezuidenhout and the Freiburg Baroque Orchestra as part of their Australian tour.

The Academy of St Martin in the Fields give exciting performances at the Barbican, with idiosyncratic Mozart from Buniatishvili. 

En solo ou avec ses confrères pianistes, la jeune Sophia Liu est la révélation du jour au festival rocassien. Retour sur une journée riche en émotions, avec une fabuleuse soirée mozartienne.

The pianist enchants the audience with Mozart's Piano Concerto no. 20 in D minor, conducted by Leonidas Kavakos. 

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings. 

Le jeune pianiste déploie un jeu subtil, tendre et délicat dans le 23e Concerto de Mozart. Marek Janowski laisse une impression plus mitigée dans la Neuvième Symphonie d’Anton Bruckner.

Angela Hewitt gives magical Mozart with Andrew Davis and the BBC Philharmonic and four twentieth century masterpieces looking back to the past complete a rewarding and unusual programme

Sir Simon Rattle's “Stravinsky Journey” threads a string of miniatures to persuade the audience that there's more to Stravinsky than his three early Ballets Russes hits. 

Fazıl Say's Mozart is an acquired taste, but Paavo Järvi's Bruckner is a masterclass in how to conduct this composer. 

Sensitive, nuanced Bruckner from Blomstedt and a Mozartian treat from Maria João Pires.

De retour à la tête du Philharmonique de Radio France le temps d'un concert mémorable, Myung-whun Chung a fait merveille sur les chefs d'oeuvre inoxydables de Mozart et Beethoven.

If Purcell’s genius was muted, it was not missing in the Mahler Chamber Orchestra's appearance at London's Southbank.

The Manchester Camerata continue their cycle of Mozart piano concertos with Gábor Takács-Nagy and Jean-Efflam Bavouzet

Sous la direction de son chef Marko Letonja, l'Orchestre philharmonique de Strasbourg a fêté dignement les retrouvailles avec son public via trois « Hymnes à la vie » de Greenwood, Mozart et Sibelius.

Slick editing and filming of an exhilarating and uplifting performance conducted by Hamish McKeich in Wellington. 

As Singapore emerges from Covid circuit breaker, witty and ebullient Mozart is served by Hans Graf and Albert Tiu.

Steven Osborne and players from Aurora Orchestra take our emotions in opposite directions at Kings Place.

The Bavarian Radio Symphony Orchestra triumphs under inspiring conducting in Vienna.

Im Gegensatz zur grotesken Zehnten Symphonie Schostakowitschs sprudelte Mozarts Klavierkonzert nur so vor Übermut.

The Shanghai Symphony Orchestra bring an entertaining programme of Mozart and Rachmaninov to the Proms, followed by an unexpected “Gift from China to the UK”.

Cette année comme en 2015, le Prix Clara Haskil n'a pas été attribué, malgré l'excellente prestation de Hyelim Kim à Vevey.

Au Concert de Paris, les stars de la musique classique se sont succédées devant les caméras de télévision, sous la Tour Eiffel. Pour de beaux moments, malgré la lourdeur des paillettes du 14 juillet.

Søndergård’s all-consuming Mahler dwarfs some delightful Mozart in Edinburgh

Herreweghe’s lifelong artistry of concentration, clarity and intimacy was nowhere better demonstrated than in an exalted account of Mozart's last symphony. 

A well crafted, elegant Mozart Piano Concerto no. 23 in the first half counters the passions and tragedy of Mahler’s Symphony no. 6 in the second. 

Une Rose des vents orientée vers le le Proche-Orient avec l'Ouverture de L'Enlèvement au Sérail de Mozart et une création mondiale de Jean-Luc Fafchamps : La Lettre soufie : Fà.

MTT delivered a Bruckner Seventh equal parts lyricism and dramatic power, while guest soloist Khatia Buniatishvili beguiled with her graceful Mozart. 

Shining brass highlighted an honest Bruckner Eight which was preceded by Mozart’s Piano Concerto in A major played by Robert Levin.

Barenboim appartient à la race des musiciens universaux et nul ne songera à remettre en question le savoir-faire d’un homme ayant eu telle carrière. Mais au-delà du bonheur sonore, impérissable, est-on en droit d’attendre du maestro un engagement plus tangible en concert ?

Egarr, Bezuidenhout and the MSO are the perfect match in this celebration of Mozart's wit and genius, delivering historically grounded and exhilarating interpretations of treasured favourites.

Paired with the Britten’s early Sinfonia da Requiem, Beethoven’s “Fateful Fifth” sounded unexpectedly fresh. 

It’s a rare treat to experience a performance given by two musicians at the height of their craft, especially when the performers in question are Cecilia Bartoli and Daniel Barenboim.

The Saint Paul Chamber Orchestra delivers a thrilling account of Schubert's Second Symphony, while pianist Jeremy Denk inspires in Mozart and chamber works by Schumann and Kurtág.  

A rare visit to London by the Bruckner Orchester Linz, with their Music Director Dennis Russell Davies, saw them bring Bruckner's Sixth to Cadogan Hall. 

Radu Lupu accompagné par la Kremerata Baltica fut un bonheur d’équilibre et de musicalité. Malheureusement la soirée fut émaillée de quelques verdeurs et rudesses de la part de l’orchestre qui rendirent le tout un brin endommagé. 

Lyon touché par un musicien d’exception : Menahem Pressler en concert à l’Auditorium

As musicians, conductor Bernard Haitink and pianist Maria João Pires have certain qualities in common – they both display a serenity, exquisite control and a dedicated yet no-nonsense attitude to performance.

L'Amsterdam Sinfoniette tout de fougue et le piano divin de Rafal Blechacz ont donné l'un des plus beaux concerts entendus ce printemps au Victoria Hall de Genève.

Disappointing Mozart compensated by a lively new work by Fazil Say in Heidelberg. 

63 concerts in just four days: a full programme kicked off the “Bogotá is Mozart” festival in style. 

Ravel and Dove complement each other, but Mozart sits oddly out of place in the BBC Symphony Orchestra's latest Prom. 

Fabio Luisi and the LSO, vindicate magnificently Bruckner's first thoughts for his Eighth Symphony, and with Lise de la Salle create a splendidly multi-dimensional Mozart.

Sir Mark Elder conducted the Hallé in the final concert of their 2012/13 Thursday Series, with a truly titanic account of Mahler’s First Symphony at the Bridgewater Hall in Manchester.The evening began with the première of Near Midnight, the first commission for Helen Grime in her role as Associate Composer of the Hallé.

“Synesthesia” is a neurological condition that causes an involuntary sensory experience to be provoked from an initial stimulation of a different sensory or cognitive pathway – for instance, automatically associating colors with numbers, letters, or sounds. Olivier Messiaen, a 20th-century French composer, organist, and ornithologist, “heard” colors in all music, whether tonal, modal, or serial.