Un Wagner minimaliste, pour une quintessence du drame romantique

Por Arnaud Saura-Ziegelmeyer, 01 diciembre 2016

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“Pour nous, à l’instar du finale, la lumière sauve le reste de la mise en scène.”

Crítica hecha desde Teatro Costanzi, Teatro dell'Opera, Roma el 27 noviembre 2016

Wagner, Tristan und Isolde

Teatro dell'Opera di Roma

Daniele Gatti, Dirección

Pierre Audi, Dirección de escena

Christof Hetzer, Diseño de escena, Diseño de vestuario

Andreas Schager, Tristan

Rachel Nicholls, Isolde

John Relyea, King Marke

Diogenes Randes, King Marke

Brett Polegato, Kurwenal

Michelle Breedt, Brangäne

Andrew Rees, Melot

Gregory Bonfatti, Shepherd

Rainer Trost, Young seaman

Gianfranco Montresor, Helmsman

Coro del Teatro dell'Opera di Roma

Orchestra del Teatro dell'Opera di Roma

Grigolo shines in a mixed new Roméo et Juliette at the Opera di Roma

Pia Maltri, 28th April

With its 1940s setting, Luca Del Fusco’s direction alienates in a new production of Gounod's Shakespeare-inspired opera.

***11

Handel’s Il trionfo del tempo e del disinganno returns to Rome

Pia Maltri, 7th April

Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707.

****1

Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

Pia Maltri, 1st March

In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.

****1

Abandon all hope: Lucia Ronchetti's Inferno receives Italian premiere

Pia Maltri, 19th February

The Italian premiere of Lucia Ronchetti’s Inferno at the Teatro dell’Opera di Roma uses Dante’s original verses, but her score fails to match their beauty.

***11

Livermore’s successful Bohème opens at the Teatro dell'Opera di Roma

Pia Maltri, 14th January

Originally staged at the Caracalla Baths in 2014, Davide Livermore’s production comes in from the cold.

****1

Wagner’s Lohengrin finally returns – swanless – to Rome

Pia Maltri, 27th November

Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.

***11

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Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.