En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anderson

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

Wie lebendig Streichquartette klingen können, belegte einmal mehr das Belcea Quartet bei seinem jüngsten Gastspiel im Pierre Boulez Saal in Berlin.

Fluchten und Ankünfte in sinfonischem Großformat: Manfred Honeck und das BRSO beeindruckten mit ebenso grellen wie introvertierten Klängen bei einer EA und Schostakowitschs Fünfter.

A world premiere, a rarely performed concerto and a slice of late Rachmaninov formed a well-conceived programme that also featured the internationally renowned Labèque sisters.

True to himself, Sir Simon Rattle and the LSO offered a mouth-watering programme of contrasts. The first half pointing clearly to the modern world worked better than the backward glance at a great Romantic symphony.

Sir Simon Rattle and the LSO open their 2021-22 season with an eclectic mix of British music that sees the orchestra at its most lustrous. 

John Storgårds and the London Philharmonic Orchestra couple Julian Anderson’s evocative Van Gogh Blue with an exhilarating Beethoven’s Seventh, while Simone Lamsma is dynamic and expansive in Nielsen.

Mikko Franck’s Cleveland debut showed the conductor in fine form with a recent work of Julian Anderson, a Brahms symphony, and a Mozart piano concerto with Richard Goode.

Ilan Volkov and the BBC Scottish Symphony Orchestra deliver a flawless execution on a night of premières at the Royal Albert Hall.

Sir Simon Rattle and the Berliner Philharmoniker play Dvořák, Brahms and a UK première.

Pascal Rophé, Elizabeth Atherton and the BBC National Orchestra of Wales celebrate Dutilleux’s centenary year with five contemporary works associated with the composer

Forward-looking programme celebrates contemporary repertoire, with two world premières in a concert of works written within the last 35 years.

The world première of Julian Anderson's In lieblicher Blaue and Ravel's Daphnis et Chloé make for a colourful programme from the LPO.

Julian Anderson’s Thebans, a bold attempt at condensing Sophocles’ three Theban plays into a single opera. The result is a powerful piece of theatre which drags the audience into the story of Oedipus’s horrific downfall and death, with its ensuing civil war.

The extraordinary JACK Quartet showcase music by Ruth Crawford Seeger, Christopher Trapani, Brian Ferneyhough, Julian Anderson and Horaţiu Rădulescu at Wigmore Hall.

As part of the last full weekend of Southbank Centre's The Rest is Noise festival, Vladimir Jurowski and the London Philharmonic Orchestra presented a programme of British orchestral music from the 1990s.

With a debut opera for ENO in the pipeline for next year and residencies with both Wigmore Hall and the London Philharmonic Orchestra, things are currently looking bright for Julian Anderson. To celebrate this, Wigmore Hall turned 2 November into Julian Anderson Day, devoting two concerts and a talk to exploring his music.

On a hot, humid summer’s evening, Sakari Oramo made his debut as Chief Conductor of the BBC Symphony Orchestra. That the occasion was the first night of the BBC Proms 2013 didn’t seem to bother him. The Finn’s combination of serenity and confidence – and just enough passion to assure us that he was enjoying it – set the tone for an intriguing, if oddly assembled programme.

Benjamin Britten isn’t the only British composer with an anniversary this year, and I’m not talking about the 450-year-old John Dowland. David Matthews is 70, and a birthday concert from the Nash Ensemble at Wigmore Hall last Tuesday presented several of his works in tribute.

A Celebration of Bob Lockyer was less a celebration of the man than of his work. Lockyer has had a full career ranging from producer of award-winning dance programmes at the BBC, to chair of Dance UK and South-East Dance. His lengthy career has earned him the accolade of “one of the great heroes of British dance”.

For those of you who think classical music just isn't your thing, think again. Limelight brings classical music underground to the 100 Club, inviting audiences to experience what classical music can sound, look and feel like.

Bach's Brandenburg concerto No. 3 (BWV 1048) doesn't have a slow movement. In the place where you would normally expect to find one, what's written out is just two chords. And in most modern performances, those chords get a perfunctory embellishment, a quick bit of a cadenza, and on we go. That's the shape in which the piece now sits in the classical canon, so nobody expects more than that.