En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Edinburgh International Festival

Gianandrea Noseda conducts his Zurich Opera forces as Adele Thomas' 2024 production arrives in Edinburgh with a cast led by Stephen Costello and Elena Stikhina. 

Rafael Payare conducts the Orchestre Symphonique de Montréal with soloists Francesca Chiejina, Nicky Spence and Christopher Maltman at the Usher Hall.

Missy Mazzoli and Royce Vavrek provide an intriguing allegory for the opioid crisis, performed blisteringly at the Edinburgh International Festival.

James Gaffigan conducts the RSNO and Jazz at Lincoln Center Orchestra in a swinging EIF opener: Wynton Marsalis' All Rise.

Vaughan Williams’ Sea Symphony is a highlight of the  London Symphony Orchestra’ s programme which also includes Vilde Frang excelling in Korngold. 

Yehudi Menuhin’s former pupils, Nicola Benedetti and Alexander Sitkovetsky celebrate his musical legacy with the NFM Leopoldinum Orchestra with Rising Stars side-by-side. 

John Tavener's epic, eight-hour all-night vigil opens the festival in monumental style, directed by Thomas Guthrie. 

Capriccio proves a fitting end to the Philharmonia’s EIF residency, with Alexander Soddy conducting a fine cast headed by Swedish soprano Malin Byström. 

Whelan conducts the lively Irish Baroque Orchestra in a recreation of Mr Charles’ 1742 Dublin concert showcasing horns and introducing the oboe d’amore and the chalumeau.

At the Edinburgh International Festival, Alison Balsom plays Wynton Marsalis's Trumpet Concerto, Pierre-Laurent plays Schoenberg's Piano Concerto before the RSNO plays Lutosławski's lively Concerto for Orchestra to finish.

Komische Oper Berlin's The Marriage of Figaro is staged at the Edinburgh International Festival with a strong cast headed by Penny Sofroniadou and Peter Kellner. 

Scottish Opera brings an immersive community production to the Edinburgh Festival directed by Roxana Haines, performed in the National Museum of Scotland.

From performing Mahler in a pared-down chamber arrangement in an empty hall two years ago, the Royal Scottish National Orchestra returns to the “full fat” variety in a packed Usher Hall. 

Festive Dvořák, intense Martinů with Katia and Marielle Labèque, and an awesome performance of Janáček’s Glagolitic Mass at the Edinburgh International Festival.

Two works premiered in Paris in 1913 – Lili Boulanger's Faust et Hélène and Stravinsky The Rite of Spring – excite the Edinburgh International Festival audience... but spark no riots. 

Returning to the Edinburgh International Festival after their astonishing Peter Grimes, the Bergen Philharmonic and Edward Gardner bring another opera, Richard Strauss' murderous Salome. 

Sir Donald Runnicles led a vivid account of The Pines of Rome and an exciting yet thoughtful performance of Carmina Burana with three superb soloists.