Elim Chan and the RSNO thrill in three-concerto programme

Elim Chan

Alison Balsom

Elim Chan, Pierre-Laurent Aimard and the RSNO

Por David Smythe, 19 agosto 2024

Descargando, espere, por favor...

Ver la programación

“white-knuckle passages of urgent rhythmic unison kept a relentless momentum”

Crítica hecha desde Usher Hall, Edinburgh el 18 agosto 2024

Marsalis, Trumpet Concerto

Schönberg, Concierto para piano, Op.42

Lutosławski, Concierto para orquesta

Royal Scottish National Orchestra

Elim Chan, Dirección

Alison Balsom, Trompeta

Pierre-Laurent Aimard, Piano

Stephen Hough makes a convincing case for Rachmaninov 1 with the RSNO

Simon Thompson, 24th April

On a return visit to the Royal Scottish National Orchestra, John Wilson shapes A London Symphony with melancholy sweep.

****1

Kristiina Poska makes an exciting return to conduct the RSNO

Simon Thompson, 20th March

Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.

***11

Felix Klieser plays Strauss with the RSNO, before Bruckner exodus

Simon Thompson, 21st February

Felix Klieser is quietly remarkable as he plays Strauss' First Horn Concerto with the RSNO, but why did so many people walk out during Bruckner's Eighth Symphony?

****1

Giedrė Šlekytė conducts the RSNO in passionate, exciting Mahler

Simon Thompson, 5th December

Giedrė Šlekytė makes a stellar conducting debut with the RSNO, while violinist Nemanja Radulović has a great look but a disappointingly ordinary sound.

****1

Mahler magic: RSNO opens season with the Seventh Symphony

Simon Thompson, 3rd October

The Royal Scottish National Orchestra and Thomas Søndergård open their season, continuing their Mahler cycle, with the Seventh Symphony.

****1

A dramatic, declamatory Elijah closes the 2025 Edinburgh Festival

Simon Thompson, 24th August

The festival’s closing concert brings drama from the RSNO and conductor Thomas Søndergård, but Christopher Maltman's Elijah brings the presence of greatness.

****1

Más críticas...

David Smythe

David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.