En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Israel Philharmonic Orchestra

La 50ª temporada de Ibermúsica abre con la Israel Philharmonic Orchestra y Zubin Mehta en la dirección.

El ciclo BCN Clàssics abre la temporada con la Orquesta Filarmónica de Israel y su director titular Zubin Mehta en un emotivo concierto.

Après un début de concert interrompu par trois perturbateurs et des fumigènes, l'orchestre israëlien, Lahav Shani et András Schiff ont démontré l'étendue de leurs qualités dans Beethoven et Tchaïkovski.

Lahav Shani und Pianist Yefim Bronfman berühren mit inniger Interpretation von Beethovens Fünftem Klavierkonzert und Tschaikowskys Schicksals-Symphonie.

The Israel Philharmonic’s debut at Hamburg’s Elbphilharmonie showcases Lahav Shani’s elegant precision, Martin Fröst’s vivid virtuosity and Paul Ben-Haim’s rare symphonic voice, culminating in radiant musical unity.

From Bernstein’s private elegy to Tchaikovsky’s tempered affirmation, the Israel Philharmonic offers an evening of reflection, discipline and quiet radiance.

Man könnte ihn als den Daniel Barenboim der Jetztzeit bezeichnen. Mit dem Israelischen Spitzenorchester präsentierte sich Lahav Shani als begnadeter Pianist und Dirigent. 

After a three-years hiatus, the orchestra returns to New York, with violinist Gil Shaham playing Tchaikovsky's Violin Concerto before an assured Prokofiev Fifth Symphony.

Couple indissociable, Zubin Mehta et l'Orchestre Philharmonique d'Israël ont offert un concert de haute volée à la Philharmonie de Paris. Au programme : Schubert, Ravel et Beethoven. 

One of the great performances of a concerto which gets so many performances.

Jan Lisiecki's leap-in with the Israel Philharmonic offers extra spontaneity in Beethoven's Fourth Piano Concerto. 

In a work as complex and multifaceted as Mahler’s Third, plumbing the depths of the music is not a trivial task. Mehta and his orchestra shone in moments but not uniformly across the symphony.

Tonal finesse, graceful articulation and magical simplicity mattered more than anything else in Yefim Bronfman's version of Beethoven's Third Piano Concerto.

Under venerable music director Zubin Mehta, the Israel Philharmonic makes a welcome return to Chicago.

The Israel Philharmonic's take on the work was initially hard to grasp. That was before we reached a glowing rendition of the Adagio, which was a hymn to life and a final farewell rolled into one.

The Israel Philharmonic Orchestra knew the difficulties they would face. Accordingly, they kept the proportions of this programme modest out of pragmatism rather than an expectation for encores, as richly deserved as they would have been.