En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Natalia Osipova

Natalia Osipova, a seasoned Tatiana, is joined by Lukas B Brændsrød, making his debut as Onegin in the summer return of John Cranko's take on Pushkin's classic verse novel. 

A compelling performance of MacMillan's Romeo and Juliet from an excellent cast, proves to be a triumph for Patricio Revé, debuting with the Company and paired with Natalia Osipova.

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer. 

Osipova has always, since her very earliest appearances on stage, stood out for the sheer energy and commitment she shows in all her work. This is no exception.

“But, soft, what light through yonder window breaks?” Yasmine Naghdi reaches new interpretative depths in this revival of Sir Kenneth MacMillan’s classic Romeo and Juliet. 

Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

The finale had Osipova wrapping herself in the area rug like a mummy and rolling on the stage floor. It wasn’t even a guilty pleasure. It was just bad.

Sir Kenneth MacMillan’s Habsburg history lesson comes with a cast list as long as your arm, but the plots and intrigues ensure a gripping evening at the ballet.

Osipova's memorable performance tops a fine new production at the Queen Elizabeth Hall. 

This wonderful ballet has never looked better at The Royal, especially in the remarkable performance of Natalia Osipova.

An evening of George Balanchine and Jerome Robbins at Covent Garden, topped by a beautifully poignant rendering of Dances at a Gathering.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

An evening of sparkle and bravura at London's international ballet gala. 

John Cranko's balletic take on Pushkin approaches its 100th performance by The Royal Ballet, opening this run with a magnificent Tatiana from the Russian star. 

Osipova has completely shaken away any inhibitions of classical training to dance more freely than ever before.

Natalia Osipova and David Hallberg's combined star power transcend this mixed bag of contemporary and classical dance.

Natalia Osipova and Jonathan Goddard excel in the gothic drama of Pita’s storytelling – but is it all just a bit too gory?

A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

With all the right ingredients – acte blanc, love intrigue, dramatic death – La Bayadère is a classic Russian ballet.

A new season for The Royal Ballet and a new star is "born" in this performance that highlights the company's strength in depth   

Project Polunin takes a big step forward with a refreshingly new programme that was as well produced as it was performed 

Virtuosity commanded the stage in the first half, drama and mood in the second, with Liam Scarlett’s new ballet a fitting tribute to the retiring Zenaida Yanowsky

A career defining performance by Edward Watson, well supported by a memorable cast

Was she – or wasn’t she – the Grand Duchess Anastasia, youngest daughter of Russia's last tsar who had survived the massacre of her family in 1917? Natalia Osipova made you believe she was. 

Natalia Osipova and Sergei Polunin's present a contemporary programme of works exploring the complexities of a couple's initimacy at Sadler's Wells

The Royal Ballet premieres Christopher Wheeldon's Strapless, and performs two other ballets by the choreographer for the first time.

The superstar pairing of Natalia Osipova and Ivan Vasiliev lost some luster on this trip to New York with some weak material.

This summer marks 25 years of excellence by Ardani artists. A gala celebrating this milestone brings together Natalia Osipova, Ivan Vasiliev, Edward Watson, Marcelo Gomes, Joaquin de Luz, Denis Matvienko and Friedemann Vogel.

Praise goes to Wayne McGregor, Alessandra Ferri and the Royal Ballet for their bold, modern and innovative treatment of Virginia Woolf's legacy.

Internationally-renowned dancers perform a diverse range of choreography for the Russian Ballet Icons Gala's tenth anniversary.

Mikhailovsky Ballet's mixed program at Lincoln Center had something for everyone: an old classic, a showpiece, and a contemporary Nacho Duato work.

Two of ballet's brightest stars, Natalia Osipova and Ivan Vasiliev dwelve into contemporary repertoire. Performances at the London Coliseum, with works by Sidi Larbi Cherkaoui, Ohad Naharin and Arthur Pita.

With a rocket-fuelled, high-octane production of The Flames of Paris, the Bolshoi Ballet has concluded its three-week season in London. And with the reappearance of the company’s former Wunderkinds, back as guest artists, to dance together in the ballet’s opening performance, how could it be anything but an exciting and exuberating final flourish to the tour.

The story may be a bit thin but the quantity of its dancing makes up for it. Laurencia is a ballet little known in the west (though the Mikhailovsky Ballet brought it to London in 2010). Combining the jollities of Don Quixote with the revolutionary fervour found in Flames of Paris, Laurencia is really just an excuse to fill the stage with non-stop dancing.

Forget those photos from North Korea showing the build-up of weaponry. A couple of supersonic rockets were set off in London on Saturday night at the London Coliseum, and the audience is still reeling from the aftermath.

They’re finally here, back in London to wow audiences once again with their scintillating dancing. The darlings of the ballet world, Natalia Osipova and Ivan Vasiliev last appeared together in the capital two summers ago, and a few months later sent shock waves like the aftermath of an earthquake around the dance community when they announced that they were leaving their alma mater, the Bolshoi Ba

Romeo and Juliet is one of the most popular ballets for both dancer and spectator and the production, created in 1955 by the great British choreographer Frederick Ashton and brought to the London Coliseum this week by the Peter Schaufuss Ballet has certainly plenty to please, especially the presence of its young protagonists.