En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sakari Oramo

Oramo condujo de forma vibrante, extrayendo de cada atril precisión y concentración, que se tradujeron en interlocución sublime con la voz desgranada por Luganski. Merece ser resaltado el asombroso dominio del cambio de compás, incesante y libre de devaneos o incertidumbres en los engarces.

A rare chance to hear the first of the Danish maverick's 16 symphonies, plus Nicola Benedetti shines in Korngold's luscious Violin Concerto.

In this unusual combination of works, a complex motet by Judith Weir emphasised brutalism, while a complete ballet score by Ravel sets Apollo against Dionysus. A young Finnish soloist joined her compatriot Oramo for an English Romantic concerto.

With Advent in full swing, and as 2021 draws to a close, it is comforting to be reminded of seasonal rituals expressed through the power of music: Sibelius, Finzi and Britten with BBC SO forces under Oramo.

An all-British composer line-up at the Proms also included Walton's Viola Concerto, John Foulds and Charlotte Bray. 

Sakari Oramo jumps in for a Berlin Phil programme which includes Unsuk Chin's Piano Concerto.   

In between the two symphonies, there was an extra Sibelius item, and this time it was a novelty.

Oramo's structural insight ensures ideal tempo relations between sections, so crucial in Sibelius.

In this second of Oramo's farewell concerts, the RSPO play Sibelius' Third and Fourth Symphonies; Anu Komsi sings a compelling Luonnotar.

The finale’s thrilling ardour was not diminished in the empty hall, as we approached the triumphant ending that Sibelius, despite being armed with bass drum, cymbal and triangle, omitted to write. 

Four Ravel masterpieces shine anew in fresh, vibrant interpretations by Bertrand Chamayou, Sakari Oramo and the Royal Stockholm Philharmonic.

In ihrem neuen Werk schöpft die finnische Komponistin Outi Tarkiainen die klanglichen Möglichkeiten des klassischen Orchester perfekt aus.

Das britische Orchester beweist, wie uns zeitgenössische Kompositionen vor allem in Verbindung mit zum Nachdenken anregenden Texten inspirieren können.

William Alwyn's operatic take on Strindberg is rarely performed – a complete mystery considering this excellent concert staging at the Barbican by the BBCSO under Sakari Oramo.

Who would have thought celebrating a Black Mass could be quite such fun?

What to put with Beethoven's greatest statement on the universality of the human spirit? The BBC Symphony Orchestra and Chorus, Sakari Oramo, Neil Ferris and Andreas Haefliger make a case for renewal.

Das Ostrobothian Chamber Orchester zeigt unter Oramo eine musikalische Kraft und Begeisterungsfähigkeit, die nicht viele Dirigenten aus einem Klangkörper holen können.

Oramo gave a generally convincing account of Mahler's seventh, if at times one with a sense of taming a beast.

Sous la direction de Sakari Oramo, l'Orchestre Philharmonique Royal de Stockholm propose une Symphonie n° 1 de Mahler bien morne. Compensée heureusement par la clarinette stratosphérique de Martin Fröst dans Mozart.

Works by Rolf Liebermann, Mozart and Mahler recently brought down the house at Zurich’s Tonhalle Maag, in no small part because of Martin Fröst’s illuminating performance.

This final concert of the BBCSO’s Total Immersion day dedicated to György Ligeti, proved to be something a revelation, both in terms of the variety of the music and the quality of the performances.

Even in a flawed performance, The Song of the Earth fills the hearer with its life-affirming carpe diem message.

Virtuoso makes the case for late Schumann with triumphant performance of the cello concerto

Three works written in the turbulent years after the end of World War 2 were featured in this dynamic concert with the BBCSO under the baton of Sakari Oramo.

Sakari Oramo conducts the European première of a fine new work alongside familiar Grieg and Sibelius.

In what was a non-textbook performance of Bruckner, Oramo achieved a performance of utmost thrill, replete with clarity and conviction.

English choral classics from 100 years ago, contrasted with a confident and effective new piece by Laura Mvula, all given strong performances by the BBC Singers and Sakari Oramo.

Biography, autobiography and the music of two composers combined in the latest BBC commission unveiled at the Proms.

Revelling in the luscious orchestrations and sumptuous melodies, it was a rare treat to bask in such obvious delight from both conductor and orchestra.

Marking the centenary of the end of the First World War, Anna Meredith and 59 Productions' work proves a powerful, often surprisingly upbeat, commission.

Sakari Oramo und das BBCSO boten mit Vilde Frang als Solistin eine breite Palette an Werken, von Beethoven über Britten, hin zu Anna Clynes.

With its vertiginous vocal leaps and broad intervals, Komsi's pure pitch-perfect soprano soared like the eldrich keening of a sea bird. The spareness and incantatory intensity were heightened by the BBCSO and Oramo.

An all-Sibelius programme given by the BBC Symphony Orchestra and Sakari Oramo, featuring a UK première, an instrumental rarity and the First Symphony.

Sakari Oramo led an inspired BBC Symphony Orchestra in cultured performances of Sibelius, while Lisa Batiashvili produced a monumental UK première of Anders Hillborg’s evocative Violin Concerto No.2.

Like Sibelius, Florent Schmitt was another composer of great longevity. This concert saw an opportunity to hear his Symphony No. 2 paired with Sibelius' Symphony No. 3, with two piano pieces by Ravel and Franck in the middle.

A dream programme of works by Strauss, Berg and Sibelius, matched by performances from Sakari Oramo, Alina Pogostkina and the BBC Symphony Orchestra that really hit the sweet spot.

An eclectic programme from this Swedish orchestra which gave sharply defined performances in repertoire that, at first glance, had seemingly little in common.

Renée Fleming sings Barber and Strauss at the Concertgebouw.

Is traditional English pub grub popular in Helsinki? Perhaps Sakari Oramo got a taste for it during his Birmingham years for there was something “stout and steaky” about last night’s hearty performance of Elgar’s Third Symphony.

Not a seat to be had for the BBCSO’s thrilling Proms performance of Mahler's Resurrection Symphony. 

Sakari Oramo pushes the BBC Symphony Orchestra to breaking point at Symphony Hall

A Total Immersion day exploring the works of Edgar Varèse at the Barbican. 

Sakari Oramo returned to Symphony Hall to lead Sibelius' Symphony no. 3 in C major and Busoni’s rarely performed, grandiose Concerto in C for Piano, Orchestra and Men’s Chorus with Kirill Gerstein.

Put Sakari Oramo in front of the BBCSO and invariably something magical happens. This concert included rare repertoire from two of Oramo's favourite Scandinavian composers. 

The RSPO's brass section is outstanding in Sakari Oramo's clear, detailed and particularly Nordic reading of Bruckner 5.

In the glut of Shakespeare400 celebrations, the BBCSO and Sakari Oramo plumped for one of the more obscure works, based on one of the less popular plays.

Oramo and the BBCSO were dynamic in the UK première of Brett Dean's thought-provoking suite and provided a solid account of Richard Strauss' Ein Heldenleben.

The 2016 Proms come to a riotous close at the Royal Albert Hall.