Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Sakari Oramo

Das britische Orchester beweist, wie uns zeitgenössische Kompositionen vor allem in Verbindung mit zum Nachdenken anregenden Texten inspirieren können.

Das Ostrobothian Chamber Orchester zeigt unter Oramo eine musikalische Kraft und Begeisterungsfähigkeit, die nicht viele Dirigenten aus einem Klangkörper holen können.

Sakari Oramo und das BBCSO boten mit Vilde Frang als Solistin eine breite Palette an Werken, von Beethoven über Britten, hin zu Anna Clynes.

Eine besondere und interessante Werkauswahl erwartete mich an diesem Abend in der Laeiszhalle. Mit der 1. Symphonie von Edward Elgar die das NDR Elbphilharmonieorchester unter der Leitung des finnischen Dirigenten Sakari Oramo spielte. Für das Violinkonzert von Benjamin Britten kam die junge norwegische Geigerin Vilde Frang als Solistin hinzu.

Unter dem Taktstock von Sakari Oramo gab die Königliche Philharmonie aus Stockholm ihr jährliches Gastspiel in Göteborg. Neben einem Stück von Anders Hillborg wurde mit der Fünften Symphonie von Sergej Prokofjew und Sibelius' Violinkonzert groß aufgespielt.

William Alwyn's operatic take on Strindberg is rarely performed – a complete mystery considering this excellent concert staging at the Barbican by the BBCSO under Sakari Oramo.

Who would have thought celebrating a Black Mass could be quite such fun?

What to put with Beethoven's greatest statement on the universality of the human spirit? The BBC Symphony Orchestra and Chorus, Sakari Oramo, Neil Ferris and Andreas Haefliger make a case for renewal.

Oramo gave a generally convincing account of Mahler's seventh, if at times one with a sense of taming a beast.

Sous la direction de Sakari Oramo, l'Orchestre Philharmonique Royal de Stockholm propose une Symphonie n° 1 de Mahler bien morne. Compensée heureusement par la clarinette stratosphérique de Martin Fröst dans Mozart.

Works by Rolf Liebermann, Mozart and Mahler recently brought down the house at Zurich’s Tonhalle Maag, in no small part because of Martin Fröst’s illuminating performance.

This final concert of the BBCSO’s Total Immersion day dedicated to György Ligeti, proved to be something a revelation, both in terms of the variety of the music and the quality of the performances.

Even in a flawed performance, The Song of the Earth fills the hearer with its life-affirming carpe diem message.

Virtuoso makes the case for late Schumann with triumphant performance of the cello concerto

Three works written in the turbulent years after the end of World War 2 were featured in this dynamic concert with the BBCSO under the baton of Sakari Oramo.

Sakari Oramo conducts the European première of a fine new work alongside familiar Grieg and Sibelius.

In what was a non-textbook performance of Bruckner, Oramo achieved a performance of utmost thrill, replete with clarity and conviction.

English choral classics from 100 years ago, contrasted with a confident and effective new piece by Laura Mvula, all given strong performances by the BBC Singers and Sakari Oramo.

Biography, autobiography and the music of two composers combined in the latest BBC commission unveiled at the Proms.

Revelling in the luscious orchestrations and sumptuous melodies, it was a rare treat to bask in such obvious delight from both conductor and orchestra.

Marking the centenary of the end of the First World War, Anna Meredith and 59 Productions' work proves a powerful, often surprisingly upbeat, commission.

Oramo condujo de forma vibrante, extrayendo de cada atril precisión y concentración, que se tradujeron en interlocución sublime con la voz desgranada por Luganski. Merece ser resaltado el asombroso dominio del cambio de compás, incesante y libre de devaneos o incertidumbres en los engarces.

With its vertiginous vocal leaps and broad intervals, Komsi's pure pitch-perfect soprano soared like the eldrich keening of a sea bird. The spareness and incantatory intensity were heightened by the BBCSO and Oramo.

An all-Sibelius programme given by the BBC Symphony Orchestra and Sakari Oramo, featuring a UK première, an instrumental rarity and the First Symphony.

Sakari Oramo led an inspired BBC Symphony Orchestra in cultured performances of Sibelius, while Lisa Batiashvili produced a monumental UK première of Anders Hillborg’s evocative Violin Concerto No.2.

Like Sibelius, Florent Schmitt was another composer of great longevity. This concert saw an opportunity to hear his Symphony No. 2 paired with Sibelius' Symphony No. 3, with two piano pieces by Ravel and Franck in the middle.

A dream programme of works by Strauss, Berg and Sibelius, matched by performances from Sakari Oramo, Alina Pogostkina and the BBC Symphony Orchestra that really hit the sweet spot.

An eclectic programme from this Swedish orchestra which gave sharply defined performances in repertoire that, at first glance, had seemingly little in common.

Renée Fleming sings Barber and Strauss at the Concertgebouw.

Is traditional English pub grub popular in Helsinki? Perhaps Sakari Oramo got a taste for it during his Birmingham years for there was something “stout and steaky” about last night’s hearty performance of Elgar’s Third Symphony.

Not a seat to be had for the BBCSO’s thrilling Proms performance of Mahler's Resurrection Symphony. 

Sakari Oramo pushes the BBC Symphony Orchestra to breaking point at Symphony Hall

A Total Immersion day exploring the works of Edgar Varèse at the Barbican. 

Sakari Oramo returned to Symphony Hall to lead Sibelius' Symphony no. 3 in C major and Busoni’s rarely performed, grandiose Concerto in C for Piano, Orchestra and Men’s Chorus with Kirill Gerstein.

Put Sakari Oramo in front of the BBCSO and invariably something magical happens. This concert included rare repertoire from two of Oramo's favourite Scandinavian composers. 

The RSPO's brass section is outstanding in Sakari Oramo's clear, detailed and particularly Nordic reading of Bruckner 5.

In the glut of Shakespeare400 celebrations, the BBCSO and Sakari Oramo plumped for one of the more obscure works, based on one of the less popular plays.

Oramo and the BBCSO were dynamic in the UK première of Brett Dean's thought-provoking suite and provided a solid account of Richard Strauss' Ein Heldenleben.

The 2016 Proms come to a riotous close at the Royal Albert Hall.

An enterprising programme featuring a rare Haydn symphony, a new work by Charlotte Bray and Mahler 5, played by the BBC Symphony Orchestra under Sakari Oramo and with Guy Johnston as cello soloist.

The BBC Symphony Orchestra under Sakari Oramo glistened and shimmered in Dutilleux and presented a 'no holds barred' Beethoven's Fifth while Håkan Hardenberger provided zing and reflection in HK Gruber.

After a stirring Marseillaise, a sombre mood hung over the first half of this Proms season opener, with Sol Gabetta's lyrical, intimate Elgar. 

In its seventh visit to Prague Spring, the orchestra shows affection for the old but more versatility with new music

Joseph Phibbs’s Partita makes a strong impression in its première at the Barbican. 

Oramo and the BBC Symphony Orchestra negotiate a challenging first half with works by Bax and Dean, followed by a superb rendering of Elgar's first symphony

This all-English programme artfully combined Butterworth, Elgar and Anna Clyne – three composers a century apart yet tied together by poetic association.

Le Barbican Hall accueillait le BBC Symphony Orchestra et son chef Sakari Oramo pour un programme d'une remarquable cohérence, à de multiples niveaux, et dont la gradation dramatique a conquis l'assemblée.

After a lacklustre trio of concerts traversing the seven symphonies, Sibelius’ 150th anniversary Proms celebrations peaked with a gripping encounter with Kullervo.