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Música clásica, ópera, ballet y danza en Bayreuth, Alemania

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Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
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BayreuthAndrea Marcon at the Margravial Opera House

© Marco Borggreve
Abel, Mozart, Clement, Schubert
Bamberger Symphoniker; Andrea Marcon; Chouchane Siranossian

BayreuthDie WalküreNew production

Wagner: Die Walküre
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Klaus Florian Vogt; Georg Zeppenfeld

BayreuthLohengrin

Wagner: Lohengrin
Christian Thielemann; Yuval Sharon; Axel Kober; Rosa Loy; Neo Rauch; Andreas Schager

BayreuthDie Meistersinger von Nürnberg

Wagner: Die Meistersinger von Nürnberg
Philippe Jordan; Barrie Kosky; Rebecca Ringst; Klaus Bruns; Michael Volle; Johannes Martin Kränzle

BayreuthSiegfriedNew production

Wagner: Siegfried
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Andreas Schager; Arnold Bezuyen

BayreuthGötterdämmerungNew production

Wagner: Götterdämmerung
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Stephen Gould; Iréne Theorin
Últimas críticasVer más...

Nuevo Parsifal en Bayreuth

Escena de Parsifal en el Festival de Bayreuth © Bayreuther Festspiele | Enrico Nawrath
Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.

Uwe Eric Laufenberg’s Bayreuth take on Parsifal

Elena Panktratova (Kundry) and Andreas Schager (Parsifal) © Bayreuther Festspiele | Enrico Nawrath
Despite its enigmatic details, Bayreuth's Parsifal reaches a cathartic climax. 

Bayreuth's Lohengrin lacks electricity

Klaus Florian Vogt (Lohengrin) © Bayreuther Festspiele | Enrico Nawrath
Yuval Sharon's production returns to Bayreuth in a musically compelling performance. 

Kosky’s Meistersinger conquers Bayreuth again

Klaus Florian Vogt (Walther) and Michael Volle (Hans Sachs) © Bayreuther Festspiele | Enrico Nawrath
Kosky’s production manages to maintain all hallmarks of a 16th-century fairy tale, while juxtaposing them with questions of deep human, political and artistic problems. Regietheater at its best.

Tobias Kratzer's provocative Tannhäuser opens at Bayreuth

Stephen Gould (Tannhäuser), Elena Zhidkova (Venus) and Manni Laudenbach © Bayreuther Festspiele | Enrico Nawrath
Yesterday, the Bayreuth Festspielhaus, where devotees of Richard Wagner converge annually from all over the world, opened its doors again for this year’s festival. Traditionally presented on the first evening, the new production for this season was Tannhäuser und der Sängerkrieg auf Wartburg (to use the opera’s full name), presented to a capacity audience.

Musically sublime, packed with ideas

Johannes Martin Kränzle (Beckmesser) © Enrico Nawrath
The label “most opera directors” does *not* apply to Barrie Kosky, who makes his Bayreuth debut with a Meistersinger that pulls no punches.