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Música clásica, ópera, ballet y danza en Bayreuth, Alemania

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Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
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BayreuthRudolf Buchbinder plays all Beethoven Piano Concerts

Beethoven
Bamberger Symphoniker; Rudolf Buchbinder

BayreuthRudolf Buchbinder plays all Beethoven Piano Concerts

Beethoven
Bamberger Symphoniker; Rudolf Buchbinder

BayreuthDas Rheingold

Wagner: Das Rheingold
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Günther Groissböck; Raimund Nolte

BayreuthDie Walküre

Wagner: Die Walküre
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Klaus Florian Vogt; Georg Zeppenfeld

BayreuthSiegfried

Wagner: Siegfried
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Andreas Schager; Arnold Bezuyen

BayreuthGötterdämmerung

Wagner: Götterdämmerung
Pietari Inkinen; Valentin Schwarz; Andrea Cozzi; Andy Besuch; Stephen Gould; Christine Goerke
Últimas críticasVer más...

Nuevo Parsifal en Bayreuth

Escena de Parsifal en el Festival de Bayreuth © Bayreuther Festspiele | Enrico Nawrath
Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.

Uwe Eric Laufenberg’s Bayreuth take on Parsifal

Elena Panktratova (Kundry) and Andreas Schager (Parsifal) © Bayreuther Festspiele | Enrico Nawrath
Despite its enigmatic details, Bayreuth's Parsifal reaches a cathartic climax. 

Bayreuth's Lohengrin lacks electricity

Klaus Florian Vogt (Lohengrin) © Bayreuther Festspiele | Enrico Nawrath
Yuval Sharon's production returns to Bayreuth in a musically compelling performance. 

Kosky’s Meistersinger conquers Bayreuth again

Klaus Florian Vogt (Walther) and Michael Volle (Hans Sachs) © Bayreuther Festspiele | Enrico Nawrath
Kosky’s production manages to maintain all hallmarks of a 16th-century fairy tale, while juxtaposing them with questions of deep human, political and artistic problems. Regietheater at its best.

Tobias Kratzer's provocative Tannhäuser opens at Bayreuth

Stephen Gould (Tannhäuser), Elena Zhidkova (Venus) and Manni Laudenbach © Bayreuther Festspiele | Enrico Nawrath
Yesterday, the Bayreuth Festspielhaus, where devotees of Richard Wagner converge annually from all over the world, opened its doors again for this year’s festival. Traditionally presented on the first evening, the new production for this season was Tannhäuser und der Sängerkrieg auf Wartburg (to use the opera’s full name), presented to a capacity audience.

Musically sublime, packed with ideas

Johannes Martin Kränzle (Beckmesser) © Enrico Nawrath
The label “most opera directors” does *not* apply to Barrie Kosky, who makes his Bayreuth debut with a Meistersinger that pulls no punches.