Die Walküre or Wotan’s double dilemma

Por Brian Angus, 11 mayo 2015

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Crítica hecha desde Landestheater, Linz el 10 mayo 2015

Wagner, Die Walküre

Dennis Russell Davies, Dirección

Uwe Eric Laufenberg, Dirección de escena

Gisbert Jäkel, Diseño de escena

Antje Sternberg, Diseño de vestuario

Michael Bedjai, Siegmund

Brit-Tone Müllertz, Sieglinde

Dominik Nekel, Hunding

Gerd Grochowski, Wotan

Karen Robertson, Fricka

Elena Nebera, Brünnhilde

Christa Ratzenböck, Gerhilde

Claudia Braun-Tietje, Helmwige

Gotho Griesmeier, Ortlinde

Valentina Kutzarova, Waltraute

Bernadett Fodor, Schwertleite

Kathryn Handsaker, Siegrune

Vaida Raginskytė, Grimgerde

Inna Savchenko, Roßweiße

Bruckner Orchester Linz

Nuevo Parsifal en Bayreuth

Juan José Freijo, 6th August

Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.

***11

Irrungen und Geschmacksverwirrungen: Le nozze di Figaro

Alexandra Richter, 16th September

Die Spielzeiteröffnung am Staatstheater Wiesbaden setzt Beaumarchais Komödien in den Fokus.

***11

Uwe Eric Laufenberg’s Bayreuth take on Parsifal

Zoltán Szabó, 30th July

Despite its enigmatic details, Bayreuth's Parsifal reaches a cathartic climax.

****1

Ein Repertoireabend mit Glanzlichtern: Elektra in Wien

Snapdragon, 19th October

Lise Lindstrom macht bei ihrem Rollendebüt an der Wiener Staatsoper nicht nur wortwörtlich eine gute Figur.

***11

Laufenberg’s Elektra a disappointment in Vienna

Jonathan Sutherland, 5th December

German theatre director Uwe Eric Laufenberg freely incorporates some of Stanley Kubrik’s horror story concepts into his Elektra, but in ignoring both Sophocles and Strauss, is a long way from shining.

***11

Bayreuth welcomes a new Parsifal

Matthew Rye, 2nd August

Uwe Eric Laufenberg sets his new staging of Wagner's final opera among the persecuted Christians of the contemporary Middle East – but avoids preaching.

****1

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Brian Angus

Brian is a lover of opera, and has enjoyed attending operas for over forty years. Brian has very catholic tastes; favourite classic composers are Richard Wagner and Giuseppe Verdi, contemporary composers John Adams and Jake Heggie, and a curiosity about Stockhausen’s music. He is always seeking opportunities to expand his appreciation of the world of music and opera.

The Linz Ring: Die Walküre or Wotan’s double dilemma