En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Julian Hubbard

El director colombiano Andrés Orozco-Estrada debuta al frente de la Orquesta y Coro Nacionales de España con dos grandes obras a las que supo dotar de personalidad y destacar su esencia.

At MusikTheater an der Wien, Miroslav Srnka’s new opera provess a deeply compelling, meticulously crafted work. It may not uplift, but it sears itself into the memory.

Mark-Anthony Turnage's operatic adaptation of Thomas Vinterberg's tale of abuse provides rich entertainment even as it shocks.

Même si certains procédés du metteur en scène italien restent incompréhensibles voire agacent, force est de constater que ses débuts dans la Tétralogie bruxelloise sont une réussite.

Musikalisch stark und szenisch eindringlich wird Bohuslav Martinůs Oper bei den Salzburger Festspielen zu einem Erfolg auf ganzer Linie.  

The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko  conducting.

Martyn Brabbins conducts an excellent ENO orchestra and consistently good ensemble cast as Richard Jones delivers a wealth of narrative detail to introduce Wagner's Ring.

Après Lohengrin et Tristan, Alain Altinoglu poursuit sa belle série wagnérienne avec une formidable version de concert de Parsifal à Bozar. Shenyang est la révélation de la soirée dans le rôle de Klingsor.

Richard Jones' setting is superb in its bare minimalism, but he pays great attention to all the psychological nuances in Janáček's opera. 

The Teatro dell'Opera opens its season with the world premiere of Giorgio Battistelli and Ian Burton's new Shakespearean work, under the baton of Daniele Gatti and the direction of Robert Carsen.

A highly satisfying level of polish in La Monnaie's stream in which one recognizes a precisely executed live performance at its core – one that would be thrilling to experience in person. 

A compelling rendition of Dvořák’s infrequently heard Requiem. Conductor Ringborg brought the work to life inspiring both the RTE NSO and the chorus. They were joined by a strong quartet of solo voices.

A terrific cast, led by soprano Celine Byrne and conducted by Patrik Ringborg deliver a compelling and thrilling performance of Korngold's Die tote Stadt.

Byrne is stunning in the title role while a strong cast of singers, orchestra, classic sets and dramatic acting make this a thoroughly enjoyable performance. 

Tom Creed's take on Offenbach's opéra fantastique works best in the Olympia act in this new production in Dublin. 

A fresh, yet traditional Magic Flute at Longborough uses puppetry to bring an atmosphere of fairytale onto the stage, with fine singing from a strong cast. 

Longborough Festival Opera’s new production of Wagner’s Tannhäuser is impressive vocally but particularly distinguished by Anthony Negus’s intelligent and vital conducting.

Anthony McDonald’s Rusalka looks and sounds wonderful in a traditionally told production, with Anne Sophie Duprels returning to the role.

Mahagonny surfaces for just the second time in Ireland, in a collaborative production resonating harshly with the country's recent economic history.