En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Mélissa Petit

The Bayerische Staatsoper's new production of Falstaff makes the mistake of turning a comedy into a slapstick, but the fine ensemble have the last say as they stand in silence and defiance to face the empty auditorium.

Here was the much-loved three-act opera Rigoletto, yes, but chances are, it was one far beyond Verdi’s wildest dreams.

Le chef-d'œuvre de Rameau est donné au Théâtre des Champs-Élysées en version de concert, sous la direction inégale d'Emmanuelle Haïm, avec une distribution excellente emmenée par Stéphanie d'Oustrac.

In Zürich zeigen die Regisseurin Jetske Mijnssen und die Barockspezialistin Emmanuelle Haïm welche Dramatik in Jean-Philippe Rameaus Oper Hippolyte et Aricie steckt.

Hats off to Andreas Homoki, Artistic Director at the Zurich Opera House, for staging a musical around “the chill of ghostly shadows”.

Celebrating a courageous woman who is able to secure the release of her husband from prison, Beethoven’s sole opera Fidelio has music that is more compelling that its plot.

This summer’s production of Bizet’s Carmen on the Seebühne stage in Bregenz offers a great spectacle. 

Joseph Haydn’s opera Orlando Paladino was once cited as “a mixed salad of madness, mayhem and true love”. A recent revival in Zurich supports that assessment.

Juan Diego Flórez stars as Goethe’s archetypal Romantic poet in Massenet's Werther in Zurich. 

From devoted wife and mother to murdering avenger, Médée is is a challenging role. A new Zurich production firmly secures her place in the collective memory, perhaps for the wrong reasons.

A feast for the eyes in Zurich, but is the visual stimulation in Herbert Fritsch's production of Der Freischütz just too much?

King Arthur, an action-packed five-act semi- or "dramatick” opera with music by Henry Purcell and libretto by John Dryden, took on an entirely new face at its recent Zurich première.

Le pétillant opera buffa de Donizetti revient à l'Opéra de Paris dans une savoureuse mise en scène de Laurent Pelly, porté par une distribution de rêve. On y était.