En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Gideon Poppe

Klischees, Klamauk und Kitsch – Matthias Davids Meistersinger setzen auf bunte Bilder und reichlich Provinzposse statt Tiefgründigkeit und frischer Ideen. 

Was kommt nach der Freiheit? In seiner Fidelio-Neuinszenierung zeigt David Hermann eindrucksvoll, wie die Revolution ihre Kinder frisst.

Set in a 1930s music school, Sergio Morabito, Jossi Wieler and Anna Viebrick's new production of Die Meistersinger von Nürnberg at Deutsche Oper Berlin has some inspirational ideas but they often get in the way of the music.

Christof Loy unearths hidden treasure with an opera by Franz Schreker long since buried after taking Europe by storm in the 1920s.

Meyerbeer's tale of the Anabaptist rebellion in the 16th-century religious wars proves to be a powerful thriller, with Clémentine Margaine and Gregory Kunde leading a very strong singing cast.

Deutsche Oper Berlin’s new production of A Midsummer Night’s Dream is a delightful and whimsical homage to Britten’s masterpiece. The orchestra, soloists and children’s chorus performed with energy and charm under the baton of Donald Runnicles.

Kent Nagano and the forces of Staatsoper Hamburg launch their new season with a production of Shostakovich's very first opera in which the ears are beguiled but the eyes are not.

Deutsche Oper Berlin staged an ambitious production by Laurence Pelly with mixed results. The performance included new discoveries and young singers brought fresh energy to the evening.

The Deutsche Oper's production of Rossini's sparkling occasion piece is big on gags but short on stardust.

Anja Harteros takes a while to hit her stride in a Don Carlo that doesn't quite gel.

Deutsche Oper Berlin's Salome was a mixed blessing: a magnificent Catherine Naglestad as the heroine, with good ensemble of singers and orchestra, but a thoughtful but far-fetched psychological interpretation.

The production was interesting but at times distracting, but the musical performances triumphed. 

Mit enormer Ausdruckskraft verleiht Evelyn Herlitzius den zwei Seiten der Emilia Marty stimmlich und darstellerisch nuancierte Gestalt.

Trotz starker musikalischer Leistungen geht Claus Guths Salome-Konzept an der Deutschen Oper nicht auf.

Bei einer Inszenierung, die nicht für jeden aufgeht, bietet diese Produktion viel Freude für die Ohren.

Puccini's La fanciulla del West gets a modern update at the Deutsche Oper Berlin.

Deutsche Oper's production of Turandot ends with a double murder. Whatever point director Lorenzo Fioroni may have been trying to make about unhinged power, it failed to solve the problems of the ending of Puccini's opera.

After his final opera, Falstaff (1893), Verdi founded a home for retired musicians. Director Christof Loy related these two achievements by setting the opera in the nursing home...

A respectable performance by Deutsche Oper Berlin, raised to another level by Nina Stemme in the title role

Elf junge Künstler zeigen an einem intensiven Musiktheaterabend neue Wege für das Musiktheater auf.

Ailyn Perez, Stephen Costello and Simon Keenlyside star in Verdi's La Traviata at the Deutsche Oper Berlin.

Christof Loy’s new production of Falstaff for the Deutsche Oper Berlin is a conundrum. While the opera itself tells a story of comeuppance, Loy’s production seemed to be about the positive physical effects of playing pranks on your neighbors.