En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Giorgio Caoduro

Una excelente representación basada en una cuidada dirección orquestal de Riccardo Frizza y un compacto y solvente elenco encabezado por Luca Pisaroni, Varduhi Abrahamyan y Maxim Mironov.

Excellent singing, an amusing production and lively staging showcases Mascagni's Le maschere in the best possible light at Wexford Festival Opera. 

Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well. 

The Armenian-Australian soprano steps in for an indisposed Ermonela Jaho in Rosetta Cucchi's staging of Cilea's verismo masterpiece. 

Rossini's 1816 farce fails to make a splash as Marco Carniti's frenetic staging returns to Pesaro. 

Tara Erraught stars as the eponymous heroine with Anna Devin as her nemesis Elizabeth I in Donizetti's Maria Stuarda, but Tom Creed's modern update fails to convince at the Gaiety Theatre, Dublin. 

A successful new production of the maestro’s opera buffaat the Rossini Opera Festival with a solid cast led by Marina Monzó.  

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

David Pountney completes his “Verdi trilogy” for the company but although his staging has fluidity, it lacks an explosive ending... and the vocal performances disappoint. 

Rossini's opera is all about art and art lovers in this production by Damiano Michieletto.

Orchester, Chor und Solisten machen dieses vergessene Lustspiel wieder zu dem, was es war: einem Opernerfolg.

Delights both sugary and strange in this revival of La Cenerentola by Welsh National Opera.

With her signature role’s coloratura fireworks and dramatic nuance, Jessica Pratt’s Sydney Opera House debut is one to remember.

Absent from theatres for more than a century and a half, Donizetti's comedy about Tsar Peter the Great is revived in the composer's home town.

Not a particularly revealing Falstaff, but a pleasing performance though. Maybe one would have expected something of greater impact from a festival like this one, but that goal had already accomplished by Graham Vick with his Stiffelio the night before...

Mark Lamos' staging is a riot of colour and movement; George Souglides gives us a masterclass in costumery; fine Italian singing illuminates this Norwegian première for Rossini's madcap Il turco in Italia.

The revival of La Grotta di Trofonio is part of the celebrations for the 150th anniversary of Paisiello's death, in co-production with Teatro San Carlo in Naples.

David McVicar's production of Faust enjoys one of the strongest overall performances of Opera Australia in recent times.

Rigoletto contains some of Verdi’s greatest melodies, and Opera Australia’s new production brings out the mixture of passion and darkness the heart of this story.

On Saturday night the Kennedy Center for Performing Arts was packed with ardent opera lovers who came to the Washington National Opera to enjoy one of Puccini’s most heartbreaking love stories, Manon Lescaut.

For many opera fans, especially here in Australia, the title role in Lucia di Lammermoor is indelibly connected with the late, much lamented Joan Sutherland. She made her breakthrough as Lucia in a Covent Garden production of 1959, and continued to sing the part for over three decades, thankfully leaving several celebrated recordings.