En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Barbara Karinska

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter. 

With a trio of excellent performances, Balanchine's sassy Rubies proves the hit as Jewels – a relatively recent acquisition – returns to the Wiener Staatsballett. 

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation. 

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.

A slightly under par opening night at New York City Ballet but nevertheless, some strong individual performances.

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer. 

The best performances of Balanchine’s Nutcracker are always the SAB children. Year after year, they capture not just the steps but the emotions behind Nutcracker.

A first rate account of George Balanchine's Jewels from exquisite dancing and music, to tremendous staging.

Coppélia is a gift from Balanchine and Danilova to classical ballet, in this 50th anniversary revival.

New York City Ballet dancing Balanchine's A Midsummer Night's Dream is the happiest way to end a long season.

An uneven performance with mishaps and mis-pairings, yet still offering some outstanding individual interpretations.

Programming three choreographers who are always box office favourites is as sure fire a hit for Ballett am Rhein who debut this neoclassical triple bill featuring a selection of successes. 

Someone at New York City Ballet needs to believe in Orpheus before they present it again.

An evening of George Balanchine’s joyous, kitschy send-ups, with clever parodies of Petipa ballets.

An auditorium packed with former company members usher in New York City Ballet's 75th anniversary with George Balanchine's ornamental triptych. 

Balanchine's triptych proves the perfect vehicle for The Australian Ballet to display its dazzling wares on its first post-pandemic international tour. 

When she retires next week, part of me likes to think she’s not really retiring. She’s just decided to stay in the Land of Sweets.

Balanchine’s sparkling ballet reveals Manuel Legris’ vision for the Milanese company. 

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

Dix ans après la disparition du chorégraphe français Roland Petit, formé à l’école de danse de l’Opéra de Paris, l’institution lui rend hommage dans un programme en trois parties.

Dutch National Ballet continues its series honouring the great choreographer.