Study in Scarlet: Rubies crown Balanchine’s Jewels in Vienna

Margarita Fernandes and António Casalinho in Rubies

Milda Luckuté in Rubies

Ioanna Avraam and Kentaro Mitsumori in Emeralds

Wiener Staatsballett in Diamonds

Laura Fernandez Gromova and Alessandro Frola in Diamonds

Por Mark Pullinger, 09 febrero 2026

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“Milda Luckuté... kicking up to her ears, flicking her hips, stretched like plasticine”

Crítica hecha desde Wiener Staatsoper, Viena el 8 febrero 2026

Emeralds (George Balanchine)

Rubies (George Balanchine)

Diamonds (George Balanchine)

Wiener Staatsballett

Paul Connelly, Dirección

Peter Harvey, Diseño de escena

Barbara Karinska, Diseño de vestuario

Mark Stanley, Diseño de iluminación

Orchestra of the Vienna State Opera

Anna Malikova, Piano

Ioanna Avraam, Bailarín

Kentaro Mitsumori, Bailarín

Olga Esina, Bailarín

Victor Caixeta, Bailarín

Margarita Fernandes, Bailarín

António Casalinho, Bailarín

Milda Luckuté, Bailarín

Laura Fernandez Gromova, Bailarín

Alessandro Frola, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Study in Scarlet: Rubies crown Balanchine’s Jewels at the Wiener Staatsballett