En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Torleif Thedéen

Music by (and inspired by) Sibelius sounds great in this Scottish performance, but Dvořák’s Cello Concerto fails to cohere.

Starting her Perspectives series, Janine Jansen invited three outstanding musicians to join her in 20th century repertoire.

If not the ideal first half to precede the Quartet for the End of Time, there could be no quarrel with the execution thoroughout.

This was a most impressive showing from the orchestra and conductor in which the works of three influential composers given emotionally engrossing treatment.

This was an ingenious and memorable concert of rarities and hybrids from early 20th-century Vienna, curated and performed by the ever imaginative Janine Jansen.

The chances to hear two recitals on consecutive nights, featuring exceptional artists of international renown in the friendly environment and outstanding acoustics of the City Recital Hall are akin to winning a (musical) lottery in Sydney.

It's not always that Schoenberg is out-weirded in a concert programme. More often, his is the eyebrow-raiser, the tougher music on display, which takes more effort to enjoy.