Janine Jansen and friends ticking all the boxes in a Viennese programme at Wigmore Hall

As he does when his spirit is most honestly invoked, Schumann spoke directly across the ages through Moraguès and Pinto-Ribeiro, and in the process allowed the two musicians to reveal the dimensions of their own love for music.

Eldar Nebolsin, Corey Cerovsek and Gary Hoffman did not completely answer whether Tchaikovsky's Piano Trio is chamber music that wants to be a ballet score or vice versa, but the intoxicating beauty of their playing banished all doubts of whether the answer mattered. 

Music by (and inspired by) Sibelius sounds great in this Scottish performance, but Dvořák’s Cello Concerto fails to cohere.

Starting her Perspectives series, Janine Jansen invited three outstanding musicians to join her in 20th century repertoire.

If not the ideal first half to precede the Quartet for the End of Time, there could be no quarrel with the execution thoroughout.

This was a most impressive showing from the orchestra and conductor in which the works of three influential composers given emotionally engrossing treatment.