En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Southbank Centre

Between gigs at Wembley as Coldplay’s support act, the Simón Bolívar Symphony Orchestra brings its distinctive brand of infectious music-making to the Southbank.

Nikolai Lugansky's barnstorming performance of Rachmaninov's Third Piano Concerto is the centrepiece of the Philharmonia's end-of-season concert.

The Orchestra of the Age of Enlightenment and Dinis Sousa bravely venture into Elgar at the Queen Elizabeth Hall, with mixed success.

The whole evening feels like observing a rave, while bits are very good and some disappointing, it's never boring.

An evening of thrilling choreography and seamless synergy between dance and music, as Sasha Waltz & Guests and the London Sinfonietta bring Terry Riley’s legendary In C to life.

As part of the Southbank Centre's Multitudes festival, Shostakovich's Leningrad Symphony is given a stunning visual direction by Kirill Serebrennikov to match the RPO's gripping playing. 

Sacred and secular, operatic and symphonic dimensions united in a thrilling climax to the London Philharmonic Orchestra's season. 

William Kentridge's film, a patchwork collage depicting Shostakovich's complicated relationship with Stalin, is played as film score to his Tenth Symphony at the Southbank's genre-crossing Multitudes festival. 

 Aaron Lifschitz directs contemporary circus artists, Circa in an exhilarating, ecstatic performance with the London Philharmonic to launch the Southbank Centre’s Multitudes festival. 

Alina Ibragimova and friends join forces at the Queen Elizabeth Hall in two powerful chamber works composed at the height of the Second World War. 

The London Sinfonietta blends premieres and poetry in a confusing evening at the Southbank Centre. 

The London Philharmonic welcomes back its Conductor Emeritus Vladimir Jurowski for a typically challenging programme of dark Russian and Ukrainian scores.

Franck's Symphony in D minor proves the highlight of a mixed Philharmonia matinee at the Southbank Centre. 

All the hallmarks of a Muti performance are on display as the maestro returns to conduct the Philharmonia Orchestra in a magnificent reading of Verdi's Requiem. 

Assured performances from the RPO as part of its ongoing “Lights in the Dark” series that brought career correspondences between three markedly different composers. 

In the second of his Mozart concerto appearances with the Philharmonia, Mao Fujita plays the heavenly Piano Concerto no. 25 in C major. 

Story time with Uncle Iván as the BFO plays music from the ballet Cinderella to crown an all-Prokofiev evening. 

Musical cross-pollination came to life in London Sinfonietta’s electrifying performance, in a seamless blend of theatre, history and virtuosic playing.

Debutant conductor Thomas Guggeis filled out the programme with a creation of his own – a fusion of Tannhäuser, Lohengrin and Meistersinger.

Majestic Strauss and effortless Grieg from Edward Gardner and the London Philharmonic Orchestra.

How to bring off the most romantic work of the last great Romantic composer, all 60 minutes of it? Send for Tugan Sokhiev. 

Mozart's “Elvira Madigan” Piano Concerto is played with grace and style by Benjamin Grosvenor; Andrey Boreyko and LPO gives gripping accounts of Sibelius and Tchaikovsky. 

Vasily Petrenko frames his Royal Philharmonic Orchestra programme with Berg and Stravinsky, with Boris Giltburg playing Beethoven's Emperor Concerto in between. 

Two works by African American composers accompanied this 18th century music, now globally the most famous we have, which virtually disappeared until the middle of the last century.

Heaven on Earth from Edward Gardner and Isabelle Faust in the latest in the LPO's ‘Moments Remembered’ series at the Royal Festival Hall. 

Music from Prokofiev's ballet Romeo and Juliet makes for a fine second half to this Philharmonia matinee, led by Santtu-Matias Rouvali. 

Beckett’s theatrical precision and Feldman’s fragile soundscapes cross paths at the Southbank Centre, creating a fleeting beauty in a profound artistic dialogue. 

A perennially unsettling pair of complementary post-war masterpieces, conducted by Andrey Boreyko, and a moving return to London for Gidon Kremer. 

Herbert Blomstedt returns to the Philharmonia for Mahler's great symphony of farewell. 

After an indifferent start, the Philharmonia finally come to life in the last movement of Sibelius’ First Symphony. Lawrence Power shows his viola class.

A unique, but at times frustrating performance of Brahms’ First Piano Concerto demonstrates Víkingur Ólafsson's qualities, but it's in Bartók's The Miraculous Mandarin that the LPO really comes alive. 

The West-Eastern Divan Orchestra are on fire with the joy of music-making to the delight of a very sympathetic and enthusiastic audience at London's Southbank Centre. 

The Franco-Serbian violinist dresses like a flamboyant rockstar, but his performance of Khachaturian's raucous Violin Concerto displays an angelic touch. 

Opening with those quintessential Romantics, Lord Byron and Manfred, Karina Canellakis’ LPO programme builds to a Bruckner 4 full of powerful forward momentum. 

At the Southbank Centre vivid performance of seminal works shows how Schoenberg added colours to the Chameleon and enriched our sound world. 

Ádam Fischer and the Orchestra of the Age of Enlightenment bring new light and life to Bruckner's most imposing cathedral in sound. 

In a vibrant display of artistry, Manchester Collective’s “Fever Dreams” programme weaves together diverse musical threads, captivating the audience with a unique concert experience.

A carefully chosen programme of exciting, short pieces which all share parallel energetic explorations of musical patterns and pulses.

Leif Ove Andsnes brings out the singing line of Rachmaninov's Third Piano Concerto before vocal soloists Kristina Mkhitaryan, Dmytro Popov and Kostas Smoriginas join the London Philharmonic Choir and Orchestra for The Bells. 

Superlative performances of two Galina Ustvolskaya's symphonies at the Southbank Centre show it is time that the composer be included in the pantheon of the post-war avant-garde.

The vitality and combustible energy of Ustvolskaya's music is unleashed thanks to a fiery spark from Siwan Rhys. 

Kirill Karabits and the Bournemouth Symphony Orchestra present a day of composers from the former Soviet republics with heroic skill and stamina. 

Alexandre Kantorow dazzles in Liszt’s Piano Concerto no. 2, against Bruckner’s mighty, unfinished Ninth Symphony. Manfred Honeck and the Philharmonia win new friends for both composers.

A celebration concert of Feldman's Rothko Chapel ticks all the boxes for a great show. 

Vladimir Jurowski's six-year Ring with the LPO closes as the cycle began: a gleaming, golden ring with a black hole at its core. 

Schiff takes the long view in Mendelssohn's unfashionable masterpiece. 

Series of a composer's relatively neglected symphonies, or other genre, face one key test. Do the works emerge with greater stature than before?

Patricia Kopatchinskaja and Aurora Orchestra serve up an over-the-top confection at Purcell Room in Southbank Centre. 

The first of three concerts in a Mendelssohn cycle sees Sir András Schiff and the Orchestra of the Age of Enlightenment tackle the composer's First and Fourth Symphonies, preceded by the Piano Concerto no. 1.