En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | The Dream of Gerontius, Oratorio for soloists chorus and orchestra, Op.38

La renovadora y espiritual obra de Elgar fue la elegida para solemnizar el concierto de Semana Santa de la OSPA.

British vocal talent adds some very British glamour to the closing Avrotros Friday concert featuring Elgar's most famous oratorio. 

A solo trio of David Butt Philip, Dame Sarah Connolly and Roderick Williams draw on extensive stage experience to inhabit their roles in a naturally assured, vividly communicative fashion.

Sir Mark Elder opens his mini Elgar festival with a deeply spirtual Dream of Gerontius.

Elgar's oratorio is treated as a rousing evening’s entertainment rather than an offshoot of the Catholic liturgy, with three stellar soloists. 

The festival's final concert marks several endings, including the fulfilment of Sir Andrew Davis' Elgar oratorio cycle with the RSNO.

At the Royal Albert Hall, the Philharmonia Chorus make an infernal set of demons, encouraged by that impish Lord of misrule, Vasily Petrenko. 

Conductor Kenneth Montgomery shaped a high-energy performance that at times raised the roof and at others was poignant and moving.

The double choir triumphs in the MSO’s massive, mostly successful attack on an English choral masterpiece all too rarely performed in Australia.

English National Opera join with the BBC Singers to make Royal Festival Hall debut.

Mark Le Brocq portrays a convincing Gerontius while other soloists, choir and orchestra deliver a fine, moving performance of Elgar's The Dream of Gerontius.

The Hallé's Elgar Festival concludes with the work the composer wished to be remembered by. 

Edward Gardner paid a memorable visit to lead the Seattle Symphony in a transformative account of Elgar's The Dream of Gerontius.

Sir Edward Elgar’s hugely sonorous choral work, The Dream of Gerontius is rarely performed in Switzerland, boosting the attraction of this, its seventh performance ever inside these borders.

Simon Rattle and the Vienna Philharmonic present Elgar's Dream of Gerontius as a well crafted gem of  the English choral tradition, but fall short of a dramatic outpouring of human emotion and religious fervour.

A report from the 2015 Three Choirs Festival, held this year in the cathedral city of Hereford. 

Toby Spence and Sarah Connolly make splendid soulful companions and conductor Peter Oundjian brings a resonant depth to Elgar's period-piece in a fine end to the RSNO's season.

Edward Elgar’s The Dream of Gerontius tells the story of a pious man’s death, his travels through Purgatory and finally being accepted into Heaven. It is perhaps not the most dramatic of tales, but one filled with a sense of redemption and intense spirituality. 

Certain images of Edward Elgar appear to be too heavily ingrained in our national consciousness ever to be shaken off. He has now been entombed as an establishment figure, a privilege for which he has the Last Night of the Proms to thank.

Whatever your theological convictions, Christian or otherwise, it is doubtless that the collective elements that make up The Dream of Gerontius contribute to one of the greatest works of both English literature and the English Choral Tradition.