English National Opera presents a fervent Gerontius

Por Kathryn Wareham, 03 julio 2017

Descargando, espere, por favor...

Ver la programación

“Jones stood reverently as the tumultuous dream whirred and unfolded in the undulating orchestra”

Crítica hecha desde Royal Festival Hall, Londres el 1 julio 2017

Elgar, The Dream of Gerontius, Oratorio for soloists chorus and orchestra, Op.38

English National Opera

BBC Singers

English National Opera Orchestra

English National Opera Chorus

Simone Young, Dirección

Lucy Carter, Diseño de iluminación

Gwyn Hughes Jones, Tenor

Patricia Bardon, Mezzosoprano

Matthew Rose, Bajo

ENO’s Mahagonny: biting, bleak, brilliantly executed satire

David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

Cocteau-esque camp: Alden’s Partenope returns to ENO

Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

David Karlin, 1st November

Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

*****

Comedy falls flat in ENO's season opening Cinderella

Mark Valencia, 27th September

Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

**111

ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

Nick Boston, 15th February

Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

****1

Más críticas...

Kathryn Wareham

Having decided her life mission was to become a drummer (aged five), Kathryn now sings opera and presents classical music radio programmes across the South of England. Kathryn studied Music at both Royal Holloway, University of London and Paris IV – La Sorbonne, Paris and upon graduation coached students in Québec for regional talent competitions. Recently returned from travelling around North America, Kathryn is devouring the music scene in London where she currently resides.

English National Opera presents a fervent Gerontius at the Southbank Centre